The 6 Best Mirrorless Cameras – Summer 2023: Reviews
- Table of Contents
- Intro
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Best Camera
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Best Upper Mid-Range
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Best Mid-Range
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Best Lower Mid-Range
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Best Budget
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Best For Video
- Notable Mentions
- Recent Updates
- All Reviews
- Discussions
Updated Jul 12, 2023 at 02:45 pm
By Adriana Wiszniewska
Mirrorless cameras are a compelling choice for many buyers looking to buy a new camera. They’re typically more portable than traditional DSLRs and feature responsive, precise autofocus systems and electronic viewfinders that let you preview exposure adjustments in real-time. In recent years, mirrorless cameras have come a long way to match and, in some ways, surpass the DSLR in performance and popularity, with a wide range of models to accommodate every budget and experience level.
We’ve bought and tested over 85 cameras in our lab, and below, you’ll find our top mirrorless camera recommendations. If you’re specifically looking for a full-frame model, check out our best full-frame mirrorless cameras article instead. If you’re buying your first camera, you might also want to look at our top mirrorless cameras for beginners. If you’re more interested in video, you can look at our favorite cameras for filmmaking or vlogging.
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Best Mirrorless Camera
Canon EOS R6 Mark II
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Travel Photography
7.8
Landscape Photography
8.4
Sport & Wildlife Photography
8.
4Vlogging
7.8
Studio Video
9.2
Action Video
5.8
Body Type
SLR-Style
Mirrorless
Yes
Sensor Size
Full Frame
See all our test results
The Canon EOS R6 Mark II is the best mirrorless camera we’ve tested. It’s a worthy successor to the Canon EOS R6, with notable improvements, including a higher-resolution sensor, e-shutter burst shooting at up to 40 fps, and 4k video recording at up to 60 fps without a crop. On top of that, you still get in-body image stabilization (IBIS), weather-sealing, and intuitive controls. That makes this one of the most well-rounded full-frame cameras you can get at this price point.
Improvements aside, the R6 Mark II also delivers fantastic image quality with amazing low-light performance. Its autofocus system is also one of the most reliable on the market, with sophisticated subject tracking for fast-moving subjects like birds and athletes. The lens selection isn’t quite as wide as Sony’s E-mount, so if you’re looking for more third-party lens support and variety, the Sony α7 IV is a great alternative. However, it can only record 4k / 60 fps video with a significant crop, and its ergonomics are somewhat lacking compared to the Canon.
See our review
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Best Upper Mid-Range Mirrorless Camera
Nikon Z 6II
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Travel Photography
7.8
Landscape Photography
8.
5Sport & Wildlife Photography
8.2
Vlogging
5.8
Studio Video
7.9
Action Video
5.6
Body Type
SLR-Style
Mirrorless
Yes
Sensor Size
Full Frame
See all our test results
The Nikon Z 6II is a more affordable full-frame option than the Canon EOS R6 Mark II and is a fantastic photography camera. Though it falls behind in advanced video features, this is still a well-rounded camera for amateurs and enthusiasts. You’ll get excellent image quality from this camera and very quick burst shooting for faster subjects.
Plus, it handles like a dream, with amazing ergonomics and an intuitive user interface.Nikon’s Z lenses are also spectacular, particularly the high-end S Line. However, these can be pricy and lens selection is still limited compared to competitors like Sony. If you’d prefer a wider selection of native and third-party lenses, the Sony α7 III is a great choice, although it has a lower-resolution EVF and slower burst shooting. While neither of these cameras supports internal 10-bit video recording like higher-end hybrids, they’re phenomenal photography cameras in this price range.
See our review
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Best Mid-Range Mirrorless Camera
Canon EOS R7
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Travel Photography
8.0
Landscape Photography
7.
7Sport & Wildlife Photography
8.7
Vlogging
7.7
Studio Video
9.0
Action Video
5.7
Body Type
SLR-Style
Mirrorless
Yes
Sensor Size
APS-C
See all our test results
The Canon EOS R7 is the best mid-range model we’ve tested. It’s a well-rounded APS-C camera with everything you need to capture high-quality photos and videos. Although crop sensor RF lenses are still limited, you can always adapt EF lenses if you’re already a Canon DSLR shooter. Besides, there’s enough to love about this camera that it’s still a top contender in this price range.
With a fantastic in-body image stabilization system, it’s well-equipped for handheld video work or photos at slower shutter speeds. The camera also has best-in-class autofocus and quick burst shooting, so it’s a great choice for sports and wildlife photography. Performance aside, it’s also sturdy and weather-sealed, with an outstanding battery life among mirrorless options. If you’re considering an APS-C camera for portability, you may prefer the Fujifilm X-T4, which is more compact but has a less reliable autofocus system.
See our review
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Best Lower Mid-Range Mirrorless Camera
Fujifilm X-S10
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Travel Photography
7.7
Landscape Photography
8.
0Sport & Wildlife Photography
7.5
Vlogging
7.8
Studio Video
7.7
Action Video
5.6
Body Type
SLR-Style
Mirrorless
Yes
Sensor Size
APS-C
See all our test results
The Fujifilm X-S10 comes at a lower price than the Canon EOS R7 but still offers a ton of value. If you don’t need more advanced features like internal 10-bit recording and weather sealing, the X-S10 is for you. While it lacks the dedicated exposure dials that Fuji fans are used to, its simpler mode dial is a bit more accessible to newcomers, and the camera has a deeper, more comfortable handgrip than its higher-end sibling, the Fujifilm X-T4.
The kicker, though, and what makes this one of the best-value APS-C cameras around, is that you still get built-in image stabilization, a rarity for cameras at this price point. Beyond that, it also uses the same high-resolution sensor found on the X-T4, meaning similar image and video quality at a lower price point. Just don’t forget to budget for the lens. Fuji lenses are a bit pricier than the kit lens you get with a camera like the Nikon Z 50. The Nikon is a great alternative if you want to save a bit of money, though it doesn’t have IBIS, and lens options are more limited.
See our review
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Best Budget Mirrorless Camera
Canon EOS R50
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Travel Photography
7.8
Landscape Photography
7.
6Sport & Wildlife Photography
8.0
Vlogging
8.0
Studio Video
7.8
Action Video
4.9
Body Type
SLR-Style
Mirrorless
Yes
Sensor Size
APS-C
See all our test results
If you’re on a tighter budget but still want to buy new rather than dip into the used market, the Canon EOS R50 is one of the best bang-for-your-buck cameras you can get. With a portable body that makes it easy to grab and go, along with dead-simple controls and intuitive, creative shooting modes, this is a great entryway into “serious” photography for those who’ve never used a camera.
Plus, its APS-C sensor can capture excellent image quality, and it has a highly effective autofocus system and good video specs for the price.That said, lens options are still limited for Canon’s RF-mount, but on the upside, it’s compatible with both APS-C and full-frame RF lenses, which makes it easier to upgrade to a full-frame body down the line if you want to. If you’d like a more compact camera kit with more lens options available, the Olympus OM-D E-M10 Mark IV is a great alternative. However, its Four Thirds sensor isn’t as well-suited to low-light shooting, and its autofocus system isn’t as reliable.
See our review
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Best Mirrorless Camera For Video
Fujifilm X-h3S
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Travel Photography
8.
1Landscape Photography
8.2
Sport & Wildlife Photography
8.6
Vlogging
7.3
Studio Video
8.7
Action Video
6.8
Body Type
SLR-Style
Mirrorless
Yes
Sensor Size
APS-C
See all our test results
The Fujifilm X-h3S is one of the most capable APS-C cameras on the market and a great choice for advanced video work. Its stacked sensor gives it a quick readout speed to minimize the rolling shutter effect in videos. It can record video in up to 6.
2k and supports various codecs, including high-quality Apple ProRes formats. You also have advanced video features like Log recording in 10-bit 4:2:2 internally for a wider dynamic range and more flexibility in post.It comes in a sturdy, well-constructed body with weather-sealing, has in-body image stabilization for smoother handheld camera movements, and has a long battery life. Its autofocus system is also Fujifilm’s best yet. Overall, this is one of the best consumer mirrorless cameras you can get for video work.
See our review
4
5
Plus, it handles like a dream, with amazing ergonomics and an intuitive user interface.
7
0
6
Plus, its APS-C sensor can capture excellent image quality, and it has a highly effective autofocus system and good video specs for the price.
1
2k and supports various codecs, including high-quality Apple ProRes formats. You also have advanced video features like Log recording in 10-bit 4:2:2 internally for a wider dynamic range and more flexibility in post.Notable Mentions
- Fujifilm X-h3:
The Fujifilm X-h3 is an incredible APS-C camera with a remarkably high-resolution sensor and 8k video capability. However, it’s pricier than the Canon EOS R7 and less well-rounded for faster subjects.
See our review - OM SYSTEM OM-1:
The OM SYSTEM OM-1 is one of the best Micro Four Thirds cameras we’ve tested. It’s a great choice if you need something more rugged and portable than the Canon EOS R6 Mark II or the Nikon Z 6II. However, its smaller sensor isn’t as well-suited to low-light shooting.
See our review - Panasonic LUMIX DC-S5:
The Panasonic LUMIX DC-S5 is a great full-frame option that offers a ton of value for its price. It’s a good choice if you’re after high-end video specs, surpassing the capabilities of the Nikon Z 6II. However, its contrast-detection AF system and slow max burst rate make it less well-rounded for photography.
See our review
It’s a great choice if you need something more rugged and portable than the Canon EOS R6 Mark II or the Nikon Z 6II. However, its smaller sensor isn’t as well-suited to low-light shooting.Recent Updates
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Jul 12, 2023:
Replaced the Olympus OM-D E-M10 Mark IV with the Canon EOS R50 and renamed it to the ‘Best Budget Mirrorless Camera’; removed the Nikon Z 50 from the list but kept mention of it as a cheaper alternative to the Fujifilm X-S10; added the Fujifilm X-h3S as the ‘Best Mirrorless Camera For Video’.
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Jun 15, 2023:
Removed mention of the Canon EOS R8 and added reference to the Fujifilm X-h3S as an alternative to the Canon EOS R6 Mark II. -
May 15, 2023:
Added the Canon EOS R8 as an in-text alternative to the Canon EOS R6 Mark II and added the Fujifilm X-h3 to Notable Mentions. -
Apr 17, 2023:
Added the Nikon Z 6II as the ‘Best Upper Mid-Range Mirrorless Camera’, with the Sony α7 III as an in-text alternative, and shifted the other picks down accordingly. We also replaced the Fujifilm X-T4 with the Canon EOS R7 and added the OM SYSTEM OM-1 to Notable Mentions. -
Mar 07, 2023:
Replaced the Sony α7 IV with the Canon EOS R6 Mark II as the ‘Best Mirrorless Camera’.
All Reviews
Our recommendations above are what we think are currently the best mirrorless interchangeable-lens cameras for most people to buy, according to their needs. We factor in the price, feedback from our visitors, and availability (no cameras that are difficult to find or almost out of stock in the U.S.).
If you would like to choose for yourself, here’s the list of all our reviews for interchangeable-lens mirrorless cameras. Be careful not to get caught up in the details. There is no single perfect camera. Personal taste, preference, and shooting habits will matter more in your selection.
Best Canon mirrorless cameras in 2023
Based on our in-depth testing and real world shooting, these are the best Canon mirrorless cameras to buy in 2023. We’ve included a favorite EOS M camera too, as this is still available, but expect to see Canon switching over fully to its EOS R system soon.
Canon’s mirrorless range has undergone a dramatic reinvention in the last five years, going from sitting in the shadows of the flagship DSLR range to far surpassing it.
The arrival of the EOS R series in 2018 changed everything, letting the world know that Canon was betting the house on mirrorless going forward. While the firm still manufactures and sells DSLRs, it has made it very clear that all new cameras are going to be mirrorless from now on.
Canon mirrorless cameras have until recently been split into two ranges. First and foremost, there’s the EOS R series, which encompasses both flagship pro cameras and entry-level models for beginners, as well as a lot of cameras in between. Your other choice is the EOS M series of slim, lightweight APS-C cameras. However, although these are still available and are backed up by a decent selection of lenses, it’s clear that Canon will be switching over fully to its new APS-C EOS R models, including the EOS R100, EOS R50, EOS R10 and EOS R7.
It’s all about the lens mount. These newer models use the same RF lens mount as Canon’s full frame cameras, whereas the older EOS M models use an EOS M mount which we think will eventually be phased out.
For more mirrorless choices, don’t miss our guide to the best full-frame mirrorless cameras. And if you decide a DSLR might be a better fit after all, we have an essential guide to the best Canon DSLRs you can buy today.
Canon lens mounts explained
- RF mount: this is used by all the latest Canon mirrorless cameras including both full frame and APS-C EOS R models. You can use the full frame lenses on the smaller camera bodies too.
- RF-S mount: this is the mount used by Canon’s new APS-C mirrorless cameras. Physically, it’s the same as the RF mount, but the smaller sensor size benefits from specially designed lenses which carry the ‘RF-S’ designation
- EF-M mount: this is a mount used by Canon’s first-generation APS-C mirrorless cameras. There are both cameras and lenses for this mount still available, but it looks certain to be phased out,
- EF mount: this is Canon’s DSLR mount. These lenses can also be used on its mirrorless cameras via an adapter.
- EF-S mount: this is a special adaptation of the EF DSLR mount for Canon’s smaller APS-C D-SLRs. You can use EF lenses on a camera with an EF-S mount, but not the other way round. You can also use EF-S lenses on a Canon mirrorless camera via an adapter.
How to choose the best Canon mirrorless camera
Picking a mirrorless camera can be a daunting task, particularly if it’s your first. So before we get to the list, let’s quickly run through the key specs to consider when choosing the best Canon mirrorless camera.
Sensor and resolution: Canon’s mirrorless cameras offer either a full-frame or an APS-C sensor. In simplistic terms, full-frame tends to give better image quality in a range of situations, especially low light, while APS-C makes for an overall smaller system and can be beneficial for certain subjects such as wildlife. See our guide to full-frame versus APS-C for more on the key differences between the two. Resolution is also worth thinking about – it’s not necessarily true that more pixels is better.
Whether you need a very high resolution likely comes down to the type of subjects that you photograph.
Screen and viewfinder: All of the cameras in our list include a rear screen, while most (but not all) include an electronic viewfinder too. Think about whether you would like an articulating or tilting screen (which can be handy for composing from awkward angles, as well as for video). For the viewfinder, pay attention to the resolution and size.
Image stabilisation: Canon’s first mirrorless cameras with in-body stabilisation arrived in 2020 – the EOS R5 and the EOS R6. Since then, the sports flagship EOS R3 has also included it, though you don’t get IBIS with Canon’s APS-C format cameras. Image stabilisation is not essential, since many Canon lenses have IS (Image stabilization) built in too. But it is definitely beneficial for those who prefer to shoot handheld rather than on a tripod.
Frame rate: For photographing fast moving subjects like sports and wildlife, you need a camera with a fast frame rate.
Some cameras in the EOS R and EOS M ranges give you up to 30fps (frames per second). This will be less important to you if you mainly shoot static or near-static subjects, such as landscapes or portraits.
Video: All the cameras on this list can record 4K video. Other video-related specifications to consider include whether a crop is applied to 4K, frame rates and special video modes.
Lens choices: Canon’s two mirrorless lines (R and M) use different lens mounts, and as such, the lenses between them are not interchangeable. Despite being much older, the EF-M lens range for the M series never really took off, there are just 8 available optics. By contrast, there are currently 30 native lenses for RF-mount, though only three designed specifically for the smaller APS-C models.
You can use the best EF-mount zoom lenses made originally for Canon DSLRs, with either the M or the R mount cameras, via adapters. Take a look at our guide to DSLR vs mirrorless: which is best for more on the differences between the two types of camera.
Want to cut to the chase? Here’s a quick list of our picks for the best Canon mirrorless cameras, as well as links to the best current prices:
- Best all-round Canon mirrorless camera: Canon EOS R6 Mark II – check best price
- Best professional Canon mirrorless camera: Canon EOS R3 – check best price
- Best Canon camera for video: Canon EOS R5 – check best price
- Best budget full-frame Canon mirrorless: Canon EOS R8 – check best price
- Best high-speed APS-C Canon mirrorless: Canon EOS R7 – check best price
- Best Canon mirrorless camera under £1000: Canon EOS R10 – check best price
- Best Canon EOS M: Canon EOS M50 Mark II – check best price
- Best budget all-round Canon mirrorless camera: Canon EOS R6 – check best price
For more detail on each camera and what it offers, keep reading…
1.
Best all-round Canon mirrorless camera: Canon EOS R6 Mark II
The Canon EOS R6 Mark II is the newest member of the range. Photo credit: Andy Westlake
At a glance:
- 24.2 megapixel full-frame sensor
- Up to 40fps shooting
- 4K video
- 8-stop image stabiliser
- $2,499 / £2,779
Canon’s original EOS R6 was a big hit with a lot of users and reviewers (including us). It was a quieter launch than the EOS R5, but arguably a more successful one, fielding a lower-resolution sensor for a more reasonable price-tag. It was the quintessential full-frame all-rounder – and now the EOS R6 Mark II is very sensibly building on that formula.
The biggest addition is the new 24.2MP Dual Pixel CMOS AF II, which ups the resolution from a slightly stingy 20MP on the original. It’s not a stacked type like we’ve seen on the EOS R3, meaning you don’t get those ultra-fast readout speeds, but it is optimised to deliver exceptional low-light performance, with a standard ISO ceiling of 102,400, extendable to 204,800, and supporting autofocus in light levels as low as -6.
5EV.
The EOS R6 Mark II does inherit one thing from the EOS R3 however – that freakishly powerful subject-detect autofocus that can lock onto specific targets, everything from humans and animals to cars and trains. It gives you real versatility as a photographer. Having now finished up our Canon EOS R6 Mark II review, we can safely say it’s one of the best all-rounder cameras you can buy.
What we like:
- Fast burst mode and deep buffer
- Highly capable autofocus
- Excellent in low light
What we don’t like:
- Inevitable price bump over original R6
- No 8K or 6K video
Best for: all-rounder photographers who want to capture lots of different subjects
Read our full Canon EOS R6 Mark II review.
2. Best professional Canon mirrorless camera: Canon EOS R3
The EOS R3 is a high-speed, high-performance camera designed for hard professional use. Photo credit: Andy Westlake
At a glance:
- Professional-level flagship full-frame mirrorless
- 30fps shooting
- 8-stop in-body image stabiliser
- Eye-control AF and Subject Tracking
- 4K/6K video
- $5,499 / £5,879
If speed is your main concern, then you can’t go far wrong with the Canon EOS R3 – so long as you’ve got the budget to buy it.
It includes super-fast specifications including up to 30fps shooting (using the electronic shutter), as well as a world-record top shutter speed of 1/64,000 sec.
The full-frame sensor offers 24 megapixels, which certainly sounds low compared to some other models – particularly from other manufacturers – but Canon suggests that this is a deliberate choice to give the best possible balance between image quality, file size and speed – and in practice it delivers on that.
Autofocusing is top-notch, with Dual Pixel CMOS AF II technology on board to provide 4779 focus points. The even more exciting news is eye-control AF which allows you to literally look at the subject through the viewfinder in order to choose a focus point. Subject tracking is also superb for moving subjects. As we said in our full review, the price of the EOS R3 means it is only going to be worth it for those who truly need every one of its outstanding features. If you need (not just want, need) a camera that will nail the shot, again and again, in all conditions, the EOS R3 is it.
What we like:
- Truly exceptional AF, with eye-control focus
- Super-fast shooting and deep buffer
- Superb across-the-board handling
What we don’t like:
- 24MP may be low for some
- On the larger side
Best for: action, wildlife and sport photography
Read our full Canon EOS R3 review.
3. Best high-res Canon and best Canon for video: Canon EOS R5
The 45-megapixel Canon EOS R5 captures an uncompromising level of detail. Photo credit: Michael Topham
At a glance:
- 45 megapixel full-frame sensor
- Up to 20fps shooting
- 8K and 4K video
- 8-stop in-body image stabiliser
- Subject tracking
- $3,399 / £3,999 (body only)
If you’re looking for a real workhorse of a camera, one which can tackle lots of different subjects with aplomb, then the Canon EOS R5 is a great choice.
Combining its 45 million pixel sensor with up to 20fps shooting, you get a good blend of speed and resolution. Whether you photograph landscapes, portraits, or sports / action, then the R5 should perform well.
Focusing – while not quite on a par with the R3 – is still reliably excellent, with fast focus acquisition and the ability to track a variety of different subjects. Eye-detection is also useful for portraits – of both people and animals.
Videographers may also like the R5, being as it offers a good range of video specifications – including up to 8K recording. However, as we mentioned in our full review, and was extensively discussed at the time, this does come with a significant limitation – the heat build-up and resultant cool-off periods that mean you can’t shoot 8K, or 4K 120p, for more than 20 minutes at a time.
At lower resolutions or frame rates, there are no such problems, but it is still something to be aware of before selecting the EOS R5 as your main video camera.
Canon did somewhat hastily bring out an alternative, the EOS R5C, with a redesigned cooling system, so video users should consider that option first.
What we like:
- Stunning EVF
- Ultra-high resolution
- Impressive video spec
What we don’t like:
- Overheating compromises video usefulness
- Expensive
Best for: photographers who shoot lots of different subjects
Read our full Canon EOS R5 review.
4. Best budget full-frame Canon mirrorless: Canon EOS R8
An image from our Canon EOS R8 review. Photo credit: Andy Westlake
At a glance:
- 24.2MP full-frame sensor
- Up to 40fps shooting
- 4K 60p video
- $1,499 / £1,699 (body only)
Canon has provided an upgrade for the aging EOS RP in the form of the EOS R8. At first glance it looks much the same, with a similar body size, and a full-frame sensor of about the same resolution.
So what’s the difference?
Well, the key addition is that Canon packed in the freakishly capable subject-detect autofocus system from the high-end Canon EOS R6 Mark II, giving it one of the most reliable autofocus systems among any camera at a comparable price point. It uses Canon’s Dual Pixel CMOS AF sensor to lock on quickly and accurately anywhere in the frame. And thanks to that AI-powered subject-detection, it can recognise subjects like humans, animals and vehicles and keep hold of them even as they move. Focusing basically becomes something you no longer have to think about.
The Canon EOS R8 really is just a camera that nails the shot, again and again. Thanks to Canon’s well-judged in-camera processing, it produces JPEGs good enough to share straight out of camera, punchy and sharp with fantastic colours.
Most of the compromises you have to live with are to do with build and handling. The EOS R8 skates by with very few physical controls, necessitating a fair amount of menu fiddling if you want to get to grips with its settings.
There’s only one card slot, and the LP-E17 battery is unusually small for a camera in this class, rated to just 220 shots (in practice you’ll probably get a few more, but you’ll still definitely want a spare). Also, be aware that there’s no in-body stabilisation, so you’ll be relying on the systems built into the lenses.
What we like:
- Absolutely superb autofocus at this price point
- Delivers sublime images straight out of camera
- Lightweight build
What we don’t like:
- Over-simplified body design with few physical controls
- No in-body stabilisation
Best for: upgrading into full-frame
Read our full Canon EOS R8 review.
5. Best high-speed APS-C Canon mirrorless: Canon EOS R7
The Canon EOS R7 in hand. Photo credit: Joshua Waller
At a glance:
- 32.5 megapixel APS-C sensor
- Up to 30fps shooting
- 4K video
- Dual card slots
- $1,399 / £1,449 (body only)
The Canon EOS R7 and R10 mark a departure for Canon in that they use an APS-C sensor, but with the R mount usually found on its full-frame mirrorless models.
In our review, we found the high-speed autofocus and continuous shooting impressive. One of the benefits of using a smaller sensor is that wildlife and action photographers can get closer to the subject – which when you pair it with super fast 30fps shooting makes it ideal for that kind of user.
Another benefit is the smaller overall size of the system, but we’ll have to wait and see how many dedicated APS-C lenses Canon makes for its new R-mount APS-C cameras. As it stands, there are two new RF-S (APS-C) lenses, which could be good options for travel. It’s worth noting that there’s no way to use an EF-M lens with R-mount cameras.
Other useful specifications for the R7 include a 2.36m-dot electronic viewfinder and a 3-inch, 1.62m dot articulating touchscreen, 4K video, dual memory cards and Dual-Pixel CMOS AF II. It’s an exciting addition to Canon’s line-up, and delivers Canon’s impressive colour reproduction, and high image-quality.
What we like:
- High-speed, high-resolution
- Compact, weather-sealed body
- In-body image stabilisation
What we don’t like:
- Limited RF-S lenses
- And the kit lens isn’t weather sealed
Best for: wildlife photographers, best Canon mirrorless under £1500
Read our full Canon EOS R7 review.
6. Best Canon mirrorless camera under £1000: Canon EOS R10
At a glance:
- 24.2 megapixel APS-C sensor
- Up to 23fps shooting
- 4K video
- Single card slot
- $879 / £899 (body only)
Being smaller, lighter and less expensive than the R7, the Canon EOS R10 is designed to be appealing to enthusiasts without the bigger budget to spend.
Naturally, the specs aren’t quite as good as the R7, but they’re not too shabby, with up to 23fps available for wildlife and sports photographers. Again, the smaller APS-C sensor is ideal for shooting distant subjects without having to employ super long lenses.
You also get 4K video recording, a single UHS-II SD card slot, a 3-inch 1.04m-dot articulating touchscreen and Dual Pixel CMOS AF. In our full review, we found the EOS R10 to be a likeable, well-handling camera, and an especially good bet for the price. The main sacrifices you’re making compared to the EOS R7 are the small viewfinder and the lack of in-body image stabilisation (IBIS), which for many users, will be acceptable trade-offs.
What we like:
- Excellent controls and handling
- Very good value
- Subject-detect autofocus works well
What we don’t like:
- Again, lack of RF-S lenses
- No IBIS
Best for: Entry-level photographers, travel, best Canon mirrorless under £1000
Read our Canon EOS R10 review.
7. Best Canon EOS M: Canon EOS M50 Mark II
The Canon EOS M50 Mark II is lightweight, handling well. Photo credit: Andy Westlake
At a glance:
- 24.1 megapixel APS-C sensor
- 4K video
- YouTube live streaming
- 10fps
- $599 / £719 with 15-45mm kit lens
A neat little camera which has proven popular with a variety of users, the Canon EOS M50 Mark II is a good option on our list for those on the tightest of budgets.
With its video friendly features – particularly for social media users – it’s a good option for vloggers, but its small size and weight also make it a nice choice for travel and everyday photography.
As we found in our full review, the image quality achieved by the EOS M50 Mark II is generally very good, and the fact that you get Dual Pixel AF is icing on the cake (though it’s a shame this AF is absent when you’re shooting 4K video).
With a well-performing APS-C sensor and a decent range of mid-range specs, such as 10fps, it’s a decent all-rounder, particularly for the price. Like other M-series cameras, the M50 Mark II is marred by a lack of lens choice, but you can use EF lenses via an adapter if you need something niche.
It’s also worth noting that the EOS M series is at the end of the line and will be supplanted by Canon’s newer EOS R models, like the EOS R7 and EOS R10 above. Still, that doesn’t take anything away from the fact that the EOS M50 Mark II is a solid camera in its own right, and for now at least, there are still more EOS M lenses than there are EOS RF-S lenses for the new cameras.
What we like:
- Good all-around specs
- Solid value
- Tidy, portable form factor
What we don’t like:
- Relatively few good lenses…
- … and we may not get any more
Best for: vlogging, best Canon mirrorless under £600, beginners
Find our more about this camera in our Canon EOS M50 Mark II review.
8. Best budget all-round Canon mirrorless camera: Canon EOS R6
The EOS R6 now offers the ability to set mode dial functions remotely via the SDK
At a glance:
- 20 megapixel full-frame sensor
- Up to 20fps shooting
- 4K video
- 8-stop in-body image stabiliser
- Subject tracking
- $1,999 / £2,099 (body only)
Though recently usurped by the Mark II version, the Canon EOS R6 is still a pleasingly affordable route into Canon’s latest mirrorless technology, and an excellent all-rounder for enthusiasts. The price may also come down in the future too, as the upgraded version hits the market – though be careful of waiting too long, because this camera is already becoming more difficult to find new in the UK.
The full-frame sensor offers a good balance between image quality and speed, and a host of other appealing specifications including 4K video, image stabilisation and a well-performing autofocus system.
In our review, we appreciated in particular the high-ISO performance of the EOS R6, which makes it a great choice for low-light shooting. This is aided by the fact that the sensor has a resolution of 20MP – on the low side for a camera of this type.
As well as the lower resolution sensor, other trade offs are made for the R6 when compared to the higher-value R5. You get a lower resolution viewfinder as well as a smaller, lower resolution screen, but both are still very capable and pleasant to use. You also don’t get a CFExpress Card Slot – but that’s unlikely to be too much of an issue for most ordinary users. You also “only” get 4K video, as opposed to 8K, but unless you’re a high-end videographer, this is also likely to be more or less a non-issue.
If you’re somebody that likes to photograph a range of different subjects – but you don’t have the super high-end budget for the R5 or the R3, then the R6 makes a huge amount of sense.
What we like:
- Does very well at high ISOs
- Effective stabilisation
- Great all-around image quality
What we don’t like:
- Some video overheating issues
- 20MP might not be enough for some
Best for: all-rounder photographers without a huge budget
Find out what we thought of this camera in our Canon EOS R6 review.
Text by Amy Davies, with contributions from Jon Stapley.
More reading
Have a look at more buying guides here.
The 12 Best Canon EOS Cameras Ever
Best Canon RF Mount Lenses
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Best mirrorless cameras for landscapes
Best mirrorless cameras for landscapes – Canon UK
ARTICLE
Which mirrorless cameras are best for landscapes? Award-winning nature photographer and Canon Ambassador Radomir Jakubowski talks about his favorite Canon EOS R system equipment. “For landscape photography with a DSLR, I used to always use Live View, but now I have Live View right in the viewfinder, which is very convenient,” says Radomir. “This means that I can zoom in to 100% and check the sharpness of the entire frame.” Taken on a Canon EOS R5 with a Canon RF 14-35mm F4L IS USM lens at 17mm, 1/6 sec, f/11 and ISO100. © Radomir Jakubovski
Landscape photographers have long used Canon EOS DSLRs and EF lenses to capture our planet’s changing image.
The increasingly popular Canon EOS R System opens up a whole new world of possibilities for photographers. Canon EOS R System mirrorless cameras feature full-frame sensors, cutting-edge technology and advanced image processing capabilities, but it is the RF mount that is the game-changer at the heart of the camera. Canon’s RF prime and zoom lenses offer excellent optical quality, and their compact size and light weight make them an excellent choice for hiking when finding the perfect angle is important.
What are the best Canon mirrorless cameras for landscape photography? And what are the best RF prime and zoom lenses to complement an EF or EF-S camera kit, or when upgrading to an EOS R mirrorless system?
In this article, German nature photographer and Canon Ambassador Radomir Jakubowski explains which mirrorless cameras and lenses are best suited for his work, while Mike Burnhill, Lead Product Specialist at Canon Europe, shares invaluable insight into the technical side of the device.
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Radomir captured this thunderstorm in the scenic Bernese Oberland region of Switzerland and used a tripod to stabilize the camera and have precise control over the composition. Taken on a Canon EOS R5 with a Canon RF 15-35mm F2.8L IS USM lens at 35mm, 1/30 sec, f/8 and ISO100. © Radomir Jakubovski
Radomir admits that he loves shooting in difficult weather conditions and his weather-resistant Canon EOS R5 performs well.
1. Best mirrorless camera for landscapes: Canon EOS R5
With a 45MP full-frame CMOS sensor, high-resolution displays and full weather protection, the Canon EOS R5 is ideal for shooting outdoors. “Before switching to a mirrorless system, I used Canon EOS-1D X Mark III and Canon EOS 5DS R,” says Radomir.
“I knew that mirrorless cameras were the future, so in January 2020 I bought a Canon EOS R to see how it works. I’ve seen the power behind the EOS R system and the Canon EOS R5 is now my go-to landscape camera.”
Canon EOS R5
The unrivaled performance of the EOS R5 opens up new possibilities in photography and videography.
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“I also have a Canon EOS R6,” adds Radomir. – If you need two cameras, then the EOS R6 is a great complement to the EOS R5. If you’re planning on printing images larger than a meter, the Canon EOS R5 is the better choice, but other than that the two cameras are pretty similar.”
Mike also finds that a high resolution sensor is always preferable for scenic landscapes. “With it, you can achieve amazing detail and work out all the nuances when shooting landscapes,” he adds. That being said, he also points out some other Canon EOS R5 features that are of great importance for landscape photography. “For example, you no longer need a cable release, because with the Canon Camera Connect app you can easily turn your smartphone into a Bluetooth remote control,” adds Mike.
Radomir took this picture at dawn in Rondane National Park, the oldest in Norway. He used the minimum focal length of a Canon RF 14-35mm F4L IS USM lens with a gradient ND filter. “That morning was perfect,” he says. “Normally when shooting landscapes in Norway, you have to deal with the wind and clouds, but that morning it was completely calm, and the thermometer was -3 ° C.” Taken on a Canon EOS R5 with a Canon RF 14-35mm F4L IS USM lens at 14mm, 1/4 sec, f/11 and ISO100. © Radomir Jakubovski
“With the Canon RF 15-35mm F2.8L IS USM and RF 14-35mm F4L IS USM, you can capture the sun in the perfect position at f/16 or f/22,” says Radomir. “These Canon lenses are some of the best I’ve tried for sun photography. Moreover, when shooting against the sun, they level out glare in an incredible way.” Taken on a Canon EOS R5 with a Canon RF 15-35mm F2.8L IS USM lens at 15mm, 1/8 sec, f/16 and ISO100. © Radomir Jakubovski
2. Best wide-angle lenses for mirrorless landscape photography: Canon RF 14-35mm F4L IS USM and Canon RF 15-35mm F2.
8L IS USM
“Both of these wide-angle lenses have incredible autofocus and image stabilization,” says Radomir. — But what exactly do you need as a photographer? Is it a small, lightweight lens for versatile landscape photography? In this case, choose the Canon RF 14-35mm F4L IS USM. And if you need a fast lens for shooting nightscapes, aurora borealis, stars and the like, the Canon RF 15-35mm F2.8L IS USM is worth checking out.”
Canon RF 14-35mm F4L IS USM
Working in tight spaces? This compact ultra-wide-angle zoom lens is ideal for capturing wide-angle compositions.
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“If you’re photographing the Milky Way, for example, you can’t use an excessively slow shutter speed or you’ll get a blur effect,” Radomir continues. “Being able to shoot at f/2.8 means you don’t have to work at high ISOs.”
For when you want to capture as much of your scene as possible, choose the Canon RF 14-35mm F4L IS USM, the widest lens in the RF range.
“On the 14-15mm range, even a 1mm difference makes a huge difference in subject coverage,” says Mike. “Increasing the focal length from 300mm to 400mm may not be as noticeable in a telephoto lens, but in the case of a wide-angle lens, every millimeter counts.”
Radomir notes that the RF 14-35mm F4L IS USM can also focus at a shorter distance than the RF 15-35mm F2.8L IS USM (0.2m and 0.28m respectively), allowing for a wide field of view of this lens, while being closer to the subjects in the foreground and filling them with a larger part of the frame.
According to Radomir, another factor to consider is the thread diameter. “The RF 14-35mm F4L IS USM has a 77mm thread, while the RF 15-35mm F2.8L IS USM has an 82mm thread — it just makes you wonder what other Canon lens filters they can go with. compatible.”
One of the benefits of switching to the Canon EOS R system is the compatibility of cameras in this line with Canon EF and EF-S lenses, such as the Canon EF 16-35mm f/4L IS USM or EF 16-35mm f/2.
8L III USM, via an adapter mounts EF-EOS R.
There are three mounting adapters for using insert filters, including an adapter for attaching an EF-EOS R insert filter. “It can be used to attach a polarizing filter to an EF or EF-S lens, including the Canon EF 11-24mm f/4L USM, which cannot be front-mounted,” explains Mike. “A plug-in variable ND filter is also available, which can come in handy if you want to use a specific shutter speed and aperture, or if you want to shoot a landscape at a slow shutter speed.”
For shooting in the mountains, Radomir often uses a Canon RF 100-500mm F4.5-7.1L IS USM lens. He took this shot in Switzerland with a zoom telephoto lens to bring out autumn colors against a dark mountain. Taken on a Canon EOS R5 at 145mm, 0.8 sec, f/14 and ISO100. © Radomir Jakubovski
3. Best mirrorless telephoto lens for landscapes and details: Canon RF 100-500mm F4 .5-7.1L IS USM
“The Canon RF 100-500mm F4.5-7.1 L IS USM is the best telephoto zoom I’ve ever used,” says Radomir.
“The image quality is amazing, and when shooting at relatively close range, it works like a prime lens.”
“I often use this telephoto zoom lens to bring out landscape details,” he continues. “It’s quite light and very compact, so it’s convenient to take it with you when you often shoot in the mountains, like me. I also like that it has a standard 77mm filter thread, so I can safely use it with polarizing filters to eliminate flare and enhance colors in landscapes.”
Canon RF 100-500mm F4.5-7.1L IS USM
The RF 100-500mm F4.5-7.1 L IS USM lens features 5-stop image stabilization and L-series build quality that provide detailed and crisp images combined with outstanding telephoto performance.
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Mike adds: “The high compression of the Canon RF 100-500mm F4.5-7.1L IS USM allows landscape photographers to look at their subject in a completely different way compared to what a standard wide angle of view offers. . This lens is fully weatherproof and is the same size as the Canon EF 100-400mm f/4.
5-5.6L IS II USM. Improving image quality would be difficult with this lens, so here we’ve added another 100mm focal length. This is more beneficial than trying to achieve better image performance at the edges of the frame.”
This photo was taken in the same location as the title image on this page at sunrise, but before dawn. Using a Canon RF 70-200mm F2.8L IS USM lens, Radomir was able to frame the composition so that the trees in the lower left corner were in the frame. Taken on a Canon EOS R5 at 115mm, 1/8 sec, f/11 and ISO100. © Radomir Jakubovski
4. Best mirrorless lens for general landscape photography: Canon RF 70-200mm F2.8L IS USM
“I love working with telephoto lenses for landscape photography,” says Radomir. — When I don’t know what to expect, I take the Canon RF 100-500mm F4.5-7.1L IS USM. But when I’m familiar with the location and know what to expect from the landscape, I go with the Canon RF 70-200mm F2.8L IS USM.”
“The 100mm focal length of the Canon RF 100-500mm F4.
5-7.1L IS USM can sometimes be too long, so the RF 70-200 F2.8L IS USM is better for general landscape photography. It can be combined with the Canon RF 15-35mm F2.8L IS USM or the Canon EF 16-35mm f/4L IS USM for a wide range of landscape photography options. I really like that this lens is so compact and 400g lighter than the Canon EF 70-200mm f/2.8L IS III USM.”
Canon RF 70-200mm F2.8L IS USM
This high-performance f/2.8 telephoto zoom lens has a compact body and delivers exceptional image quality in all shooting conditions.
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Mike also notes the compact size of this lens. “It fits perfectly in a camera bag and is much easier to carry around than any other EF lens. And, of course, the Canon RF 70-200mm F4L IS USM is even more compact. Its size is comparable to the Canon RF 24-105mm F4L IS USM, so it’s a great option for when you don’t need the maximum aperture of a flagship zoom lens.”
“The RF 70-200mm F4L IS USM is an L-series so, like the f/2.
8 version, it is fully weatherproof. What’s more, it’s coated with the heat-resistant paint we use for super-telephoto lenses, so the image quality of this lens won’t suffer in bright sunlight. In terms of optical performance, the Canon RF 70-200mm F4L IS USM is simply unmatched. Compared to the Canon EF 70-200mm f/4L IS II USM, it outperforms the entire zoom range and delivers sharper images. In addition, it is smaller, focuses faster and more accurately, and has a better image stabilization system.”
Radomir used the versatility of the Canon RF 24-105mm F4L IS USM lens to create a great reflection composition. “I composed this shot so that the mountains in the reflection did not seem upside down and took up the entire frame so that the viewer had to think what he was seeing,” says Radomir. Taken on a Canon EOS R5 at 53mm, 8 sec, f/22 and ISO100. © Radomir Jakubovski
5. Best mirrorless lens for landscape travel: Canon RF 24-105mm F4L IS USM
“Some landscape photographers consider the 24-105mm or 24-70mm zoom lens to be the most important,” says Radomir.
— I prefer to have a lens with a maximum focal length of over 70mm, so I opted for the Canon RF 24-105mm F4L IS USM over the RF 24-70mm F2.8L IS USM. This means I don’t have to switch too often to the RF 70-200mm F2.8L IS USM since I have 35mm of focal length to spare.”
Mike adds: “In terms of optics, the Canon RF 24-105mm F4L IS USM is superior to the Canon EF 24-105mm f/4L IS II USM, but there are other parameters that make this lens more attractive. It has a better focusing system and better image stabilization, and it’s also more compact.”
Canon RF 24-105mm F4L IS USM
A versatile zoom lens that offers photographers and videographers the perfect balance of performance, portability and image quality.
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For landscape photography, Radomir prefers to use the flexibility of zoom lenses, but always keeps a Canon RF 35mm F1.8 Macro IS STM on hand, which gives him high aperture and vignetting for atmospheric shots, like this dark frame in the forest.
Taken on a Canon EOS R5 at 8 sec, f/1.8 and ISO100. © Radomir Jakubovski
The ability of the Canon RF 35mm F1.8 Macro IS STM to focus on close subjects allowed Radomir to create “micro landscapes” like this riverbed shot. Taken on a Canon EOS R6 at 1/160 sec, f/10 and ISO400. © Radomir Jakubovski
6. Best lens for handheld landscape photography: Canon RF 35mm F1.8 Macro IS STM
” When I go out for a walk without a clear goal of shooting something, I always take Canon EOS R6 and RF 35mm F1.8 Macro IS STM with me,” Radomir shares. “I use this kit for everything from landscapes and portraits to reportage and macro photography. I like the f/1.8 aperture and the vignetting. I know that some photographers think that vignetting can be added at the stage of image processing, but for me it is an inherent characteristic of the lens. I also like the combination of the 35mm focal length and the 5-stop Image Stabilizer, which allows me to shoot handheld at a shutter speed of one second.
”
“Landscape photography has many aspects,” explains Mike. – It is not only about shooting outside the city, but also in the city. The Canon RF 35mm F1.8 Macro IS STM is an ultra-fast, ultra-fast lens with Image Stabilization, great for low-light shooting where cityscapes take on a magical dimension.”
Canon RF 35mm F1.8 Macro IS STM
Wide-angle, fast f/1.8 prime lens with macro capabilities.
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“I underexposed this shot by two or three stops to bring out the yellow and orange leaves. The tree really stands out because I used a wide aperture of f/2 on the Canon RF 85mm F2 Macro IS STM instead of f/4 on the RF 24-105mm F4L IS USM. And thanks to the vignetting of the lens, the corners are even darker,” says Radomir. Taken on a Canon EOS R5 at 1/2000 sec, f/2 and ISO100. © Radomir Jakubovski
7. Best Mirrorless Lens for Telephoto Atmospheric Landscapes: Canon RF 85mm F2 Macro IS STM
200 F2.8L IS USM, I love that this lens is so light,” says Radomir./cdn.vox-cdn.com/uploads/chorus_asset/file/13758370/Screen_Shot_2019_02_14_at_12.09.35_AM.png)
“When I go out for a walk with the Canon EOS R6 and the Canon RF 35mm F1.8 Macro IS STM, I put the Canon RF 85mm F2 Macro IS STM in my pocket. When I’m not sure what I’m going to be shooting, I prefer to use prime lenses rather than zoom lenses. For myself, I realized that I focus on the subject of photography better when shooting with fixed lenses.
Canon RF 85mm F2 Macro IS STM
Take your portraits to the next level with this compact and lightweight RF prime lens that lets you capture subjects in detail and bring your creative vision to life.
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“There aren’t many landscape shots that require the Canon RF 85mm F2 Macro IS STM, but in some situations the wide f/2 aperture and artistic vignetting can really work in your favor.”
Mike says that although the Canon RF 85mm F2 Macro IS STM is not a classic landscape lens, it is quite versatile: this is important for the artistic task.”
By Marcus Hawkins
-
LANDSCAPES
The best Canon lenses for landscape photography
Landscape photographers Valteri Hirvonen and Radomir Jakubovski talk about their favorite RF and EF lenses for capturing stunning landscapes, options with different costs, focal lengths and technical capabilities.
Find out more
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The best sports photography equipment
The best sports photography equipment – Canon Kazakhstan
ARTICLE
Sports photographers Jorge Ferrari and Jean-Baptiste Lutard share their favorite equipment reliable for creating exceptional shots in sports .
The Canon EOS R full-frame mirrorless system offers a range of outstanding cameras and lenses for sports photographers, including the EOS R5 professional camera and the RF 70-200mm F2.
8L IS USM compact zoom lens. Taken on a Canon EOS R5 with a Canon RF 70-200mm F2.8L IS USM lens at 100mm, 1/200 sec, f/5.6 and ISO1250. © Jean-Baptiste Luthard
Sports photographers need a reliable and a durable camera to help you never miss a moment. They need fast, accurate autofocus, plus a fast shutter speed and intuitive control layout that keeps their eyes on the viewfinder as they work.
But what are the best Canon cameras for sports photography? And what lenses do professional sports photographers recommend?
“I work with a Canon DSLR, so the EF 400mm f/2.8L IS III USM, EF 70-200mm f/2.8L IS III USM and the short throw zoom lens are the most important,” says Canon Ambassador Jorge Ferrari . However, Jorge, who shoots commercial sports and action scenes, also says the choice of lens will depend on the purpose of the event. “Let’s say I work at a rugby match,” he continues. “I will be using a 400mm or 600mm lens on my Canon EOS-1D X Mark III as I am trying to capture action close-ups.
However, for the award ceremony, I will be using a 70-200mm or 24-70mm lens on the camera as my goals have changed.”
Unlike many sports photographers who specialize in one sport and travel to photograph competitions, Jorge primarily shoots international competitions in Dubai, Abu Dhabi and the Middle East. “There is a lot going on in this region, and I cover a variety of events organized in these countries, from Formula 1 and football to tennis and triathlon,” he says. “I really enjoy working here.”
Fellow Canon Ambassador and extreme sports photographer Jean-Baptiste Luthard travels the world, but prefers to photograph only mountain bikers, a sport he has enjoyed since he was a teenager. Recently, Jean-Baptiste was able to try out the Canon EOS R5, as well as several Canon RF lenses. “I was very pleased with the results with the RF lenses,” he says. “I’m used to working with quality lenses, but when you look at the RF models, they have superb build quality. You immediately get the impression that you are holding a really finished and thoughtful product in your hands.
”
In this article, Jorge and Jean-Baptiste, along with Mike Burnhill, Professional Product Specialist at Canon Europe, share tips and benefits for cameras and lenses to take your sports photography to the next level.
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Canon
The EOS R3 features vehicle tracking, which is ideal for motorsports, ensuring sharp focus even in difficult shooting conditions, such as when a car is surrounded by dense clouds of dust. Motorsport photographer Vladimir Rys tested the capabilities of this camera by going on difficult
shooting rally electric car.
Shot with a Canon camera
EOS R3 with lens
Canon RF 400mm F2.8L IS USM at 400mm, 1/32000 sec, f/2.8 and ISO 400. © Vladimir Rys
Canon
The EOS R3 delivers exceptional shooting speeds of up to 30fps to capture even the fastest subjects. Taken on camera
Canon EOS R3 with lens
Canon RF 100-500mm F4.5-7.1L IS USM at 472mm, 1/3200 sec, f/7.1 and ISO400.
1. Best mirrorless camera for sports photography: Canon EOS R3
The new flagship model of the EOS R series takes full-frame mirrorless performance to a whole new level.
It offers continuous RAW shooting at 30 fps. and full-servo AF/AE with a back-illuminated image sensor and autofocus support up to 60fps.
“It’s basically a next-generation image sensor that allows slightly larger pixels and faster readouts than previous cameras,” explains Mike.
– It offers many benefits. for example, a minimal delay defect, which allows you to shoot fast objects without unnecessary artifacts and distortions. For example, a golf club will appear straighter during the stroke. And the fast data readout prevents tennis and baseballs from deforming into an egg shape as they fly – even a soccer ball could look a bit like a rugby ball on past generations of devices.”
Canon EOS R3
A camera designed to capture fast-moving subjects that meets the highest demands of professional photographers with ultra-fast response, high sensitivity, reliability and durability.
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Autofocus is faster and more versatile than ever.
The Canon EOS R3 offers a new eye-tracking AF technology that allows you to select the AF point by directing your gaze to the desired area of the frame. People Detection AF now prioritizes eyes, faces, heads, and bodies to provide accurate autofocus even when the person is wearing a mask, helmet, or goggles.
Subject tracking is also more accurate with new race car and motorcycle tracking, and the new Flexi Zone mode lets you manually select the size and shape of the AF area—for example, you can select a horizontal strip across the frame to focus on to capture the winner of a race and his track.
With superior built-in Image Stabilization, the Canon EOS R3 achieves up to 8 stops of shutter speed with select RF telephoto lenses, adapting to a variety of handheld shooting situations and capturing sharp images even at longer focal lengths.
“I don’t use the RAW format that often because I usually want to send image files fairly quickly,” says Jorge. “However, I like that if I need RAW files, then I can shoot 16 fps.
with the EOS-1D X Mark III mechanical shutter, and the camera’s clipboard won’t overflow.” Taken on a Canon EOS-1D X Mark III with a Canon EF 70-200mm f/2.8L IS II USM lens (now succeeded by the Canon EF 70-200mm f/2.8L IS III USM) at 88mm , 1/2000 sec., f/2.8 and ISO 200. © Jorge Ferrari
2. Best DSLR for sports photography: Canon EOS-1D X Mark III
Professional sports photographers have been using Canon’s EOS-1D series cameras for decades to capture superbly detailed sports shots with great detail. The Canon EOS-1D X Mark III is the current generation of this camera; this model offers continuous shooting up to 20 fps. with electronic shutter and up to 16 fps. with a mechanical shutter, Deep Learning Dual Pixel CMOS AF, as well as high build quality and weather protection, which will be very useful for professionals.
“I love deep learning autofocus,” says Jorge. “She really impressed me at a recent tennis tournament, where the organizers wanted the tournament logo and name to remain visible even in the background of dynamic images.
With the EOS-1D X Mark III, I was able to easily select compositions based on the organizer’s requirements and then turn on Servo AF to track the player’s face. At that time, it became a significant advantage for me.”
“The electronic shutter was also very useful. It takes some getting used to, but being able to silently take photos during a tennis match helps a lot. It was a closed event without spectators, so the players could hear any action of the photographer!”
Canon EOS-1D X Mark III
An ideal creative tool with deep learning autofocus, 5.5K RAW movie shooting and effective low-light capabilities.
You don’t need a super telephoto lens to capture memorable sports photos. Jorge captured this moment by being in the right place and choosing the best composition with a 70-200mm zoom lens. Taken on a Canon EOS-1D X (now succeeded by the Canon EOS-1D X Mark III) with a Canon EF 70-200mm f/2.8L IS II USM lens at 115mm, 1/1600 sec, f/3.2 and ISO 100. © Jorge Ferrari
3.
Best Canon lenses for sports photography: Canon EF 70-200mm f/2.8L IS III USM and Canon RF 70-200mm F2.8L IS USM
Super telephoto lenses are essential for situations where the photographer can’t physically get close to the action, but a 70-200mm zoom lens is ideal for almost any other situation. “You can use it to photograph tennis, Formula 1 or football, which are completely different sports,” notes Jorge, who uses a Canon EF 70-200mm f/2.8L IS II USM lens (the next generation is now available: Canon EF 70 -200mm f/2.8L IS III USM). “I don’t think you can successfully work at any sporting event without a 70-200mm lens.”
Its versatile zoom range makes it ideal for capturing moments that go beyond action-packed close-ups. Mike says, “It could be the coaches handshake at the start of the game, a coin toss, or an awards ceremony.” However, the most important aspect for which all sports photographers take this lens is celebration.
“For football photographers, the moment a player runs to the corner flag to celebrate a goal is the main goal.
That is why, in addition to a large telephoto lens, every sports photographer carries a 70-200mm lens.”
Canon EF 70-200mm f/2.8L IS III USM
A modern classic, this fast aperture telephoto zoom lens is loved by photographers of all genres.
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Shooting close-ups with an ultra wide-angle or fisheye lens puts the viewer in the center of the action, an effect that cannot be achieved with a telephoto lens. Taken on a Canon EOS-1D X Mark III with a Canon EF 16-35mm f/2.8L III USM lens at 16mm, 1/30 sec, f/5.6 and ISO100. © Jorge Ferrari
4. Best Canon wide-angle lenses for sports photography: Canon EF 16-35mm f/2.8L III USM and Canon RF 15-35mm F2.8L IS USM
According to Jorge, who works with with the Canon EF 16-35mm f/2.8L III USM and Canon EF 24-70mm f/2.8L II USM lenses, when you shoot a subject at close range with a wide-angle lens, you can create truly mesmerizing images.
“It often happens that I don’t get home or to the hotel until late in the evening, so I have to carry all the equipment with me,” he says.
“However, if I could take only one short throw zoom lens with me, I would choose 16-35mm, because when shooting with 35mm you can always find a place to crop the frame.”
The RF equivalent of the RF 15-35mm F2.8L IS USM, along with the RF 24-70mm F2.8L IS USM and RF 70-200mm F2.8L IS USM, is one of Canon’s top three professional RF zoom lenses . These are three reference high-performance RF zoom lenses with fast apertures for shooting at wide-angle, standard and telefocal ranges. “This is an excellent choice for a variety of sports photography,” adds Mike. “The RF 15-35mm F2.8L IS USM and EF 16-35mm f/2.8L III USM are great for shooting from different perspectives, especially if the camera is far enough behind the gate, for example.”
Canon EF 16-35mm f/2.8L III USM
Premium ultra wide-angle zoom lens with a constant f/2.8 maximum aperture for superior image quality even in low light.
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The Canon RF 400mm F2.8L IS USM lens captures even fast-moving subjects with incredible clarity.
Taken on camera
Canon EOS R5 with lens
Canon RF 600mm F4L IS USM at 1/160 sec, f/11 and ISO 100.
5. Best Canon Lenses for Sideline Sports Photography: Canon RF 400mm F2.8L IS USM and Canon EF 400mm f/2.8L IS III USM the owner of exceptional optical quality and an ideal viewing angle for shooting popular sports. They also support the installation of Canon 1.4x and 2x extenders to increase the maximum focal length if needed by the photographer.
“I have a Canon EF 1.4x III extender and use it regularly with a Canon EF 400mm f/2.8L IS III USM lens,” says Jorge. “I was working at a rugby tournament a couple of weeks ago and found that this extender lens provided about the same level of focus and clarity as the previous generation 600mm f/4 lens.”
Canon RF 400mm F2.8L IS USM
Super telephoto lens with high optical performance and class-leading portability, performance and image quality.
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High aperture is useful not only for shooting at minimum shutter speeds. “It also provides a beautiful background blur that draws the viewer’s attention to the players rather than the fans in the background,” adds Mike.
Both the EF and RF models are great for monopod and handheld shooting as they offer users an exceptionally lightweight design. The Canon EF 400mm f/2.8L IS III USM also features a 5-stop image stabilizer, while the Canon RF 400mm F2.8L IS USM offers 5.5-stop optical image stabilization.
When fitted to the Canon EOS R3, the RF lens also benefits from fast communication with the camera via the RF mount, enabling even faster focusing through dual focus motors. What’s more, the new Eye Movement AF technology allows you to select the AF point by looking at it, making focusing more intuitive when using a super zoom lens. The
Canon RF 600mm F4L IS USM allows photographers to create perfect images even from across the stadium.
Taken on camera
Canon EOS R5 with lens
Canon RF 600mm F4L IS USM at 1/2000 sec, f/5.6 and ISO 200.
6. Canon’s Best Super Telephoto Lenses for Sports Photography: Canon RF 600mm F4L IS USM and Canon EF 600mm f/4L IS III USM
If you can’t get closer to the action, get the 600mm f/4 super telephoto lens with legendary L build quality -series will help you shoot from afar without sacrificing optical quality.
“At the Rugby Sevens in Dubai, I chose the Canon EF 600mm f/4L IS II USM lens as my primary lens, and it did the job perfectly thanks to the face detection and tracking focus of my Canon EOS-1D X Mark III,” says Jorge. “I thought it would be difficult for the camera to focus due to the number of faces in the frame, but the only time the autofocus failed was if I was too close to the subject with a 600mm lens.”
Canon RF 600mm F4L IS USM
Super telephoto lens with high optical performance and class-leading portability and optical performance.
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Mike says that while 600mm f/4 lenses are extremely popular with wildlife photographers, they are ideal for shooting many sports. “For example, these are skiing and other winter sports, where the shooting is usually done from a long distance, as the athletes go down the mountain. This includes rugby, where the presence of a large area behind the goal means that photographers need to shoot from a greater distance than at football matches. Moreover, during golf and tennis matches, they can create interesting close-up images.”
When you attach the Canon RF 600mm F4L IS USM to the Canon EOS R3, you can also enjoy even faster autofocus thanks to the high data transfer rate of the RF mount, as well as superb image stabilization even when shooting handheld in situations where telephoto Lenses are most sensitive to any camera vibration.
7. Most versatile super telephoto lens for sports photography: Canon EF 200-400mm f/4L IS USM Extender 1.
4x
This versatile 200-400mm f/4 professional zoom lens with a built-in 1.4x extender helps you quickly capture the highlights of sports. “Its versatility is the reason for its popularity among a wide range of sports photographers,” says Mike. “Many choose to avoid zoom lenses, but the quality remains extremely high, and the flexibility of operation eliminates all doubts, after which they successfully work with a zoom lens instead of prime models.”
“If you want to work with a single lens, this model is perfect for you. If you’re shooting Formula 1 and walking along the track, this lens is all you need. It offers a wide range of telephoto focal lengths, as well as the ability to use an extender if needed.”
Canon EF 200-400mm f/4L IS USM Extender 1.4x
Professional 200-400mm f/4 lens with built-in 1.4x extender that increases focal lengths to 280-560mm and 4-stop IS to create the clearest images.
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By Marcus Hawkins R3, EOS R5, EOS R7 and EOS R10
Firmware updates unlock new features and improve performance Canon’s professional mirrorless cameras, including 400MP on the EOS R5 and more.