35Mm film point and shoot camera: 12 Best Point and Shoot Film Cameras in 2023! » Shoot It With Film

12 Best Point and Shoot Film Cameras in 2023! » Shoot It With Film

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Nothing is more 90s than a point and shoot film camera. We love them because they are compact, lightweight, and super fun to use.

While not known for the best image quality, due to their low quality lenses and limited features, they are still the film camera for parties and get-togethers, a day at the beach, and road trips. They’re perfectly designed to be used spur of the moment and capture life as it’s happening.

We’re going to take a look at 12 of the best point and shoot film cameras that would be a great addition to any camera bag.

Not only do these analog cameras have all of the fun and simplicity that make point and shoot cameras so special, but we also wanted to find the point and shoot film cameras with the best image quality.

Benefits of Point and Shoot Film Cameras

There are a few benefits when it comes to using point and shoot film cameras, and one of the best ones is that they are an easy way to learn film.

If you want to start shooting film but feel intimidated by the process, a point and shoot camera is a great place to start. They are really easy to use with minimal settings, so you can get a feel for what it’s like to shoot film without having to figure out some of the more complicated aspects of shooting film or using film cameras.

Another benefit of using a point and shoot is that they are incredibly small and portable. Their compact size makes them easy to throw in a bag, and most can even fit in your pocket. If you are looking for a more convenient way to carry a film camera around, a point and shoot is the way to go.

Point and shoots also give you the perfect, nostalgic film look. A point and shoot is going to deliver images with a lot of character that look like they are straight from the 90s with that extra bit of grain and grittiness that is so unique to film.

Best Point and Shoot Film Cameras:

1. Contax T2

It’s tough to make a list of point and shoot film cameras without talking about the Contax T2 (find on eBay). The T2 is arguably the most popular point and shoot camera around right now.

It has always had a solid reputation and fan base in the film community, but after being hyped by a few celebrities, it’s gained some mainstream popularity as well (for better or worse).

While it’s a beautifully simple camera with clean lines and a solid metal build, it’s lens is what makes this camera so amazing. The Carl Zeiss Sonnar T* 38mm f/2.8 lens is one of the sharpest lens you’ll find on a point and shoot.

It will also give you much more control over your images than you might expect from a point and shoot. With the Contax T2, you can manually set your aperture and exposure compensation, and it also has an AE lock feature, allowing you to focus on your subject while metering elsewhere.

This amount of creative control and the sharp lens gets you much closer to the image quality of an SLR with the ease of a point and shoot. It’s easy to see why people love it so much!

As a side note, you cannot manually set your ISO with the T2, but this article will help you hack your DX code so you can change the ISO on any camera that auto-detects ISO.

The downside to it’s hype and popularity is it’s price tag. Oof. It’s one of the more expensive camera on this list at around $850 on eBay at the time of this article.

Here’s a more in-depth review of the Contax T2.

Lens: Zeiss Sonnar T* 38mm f/2.8
Shutter Speeds: B, Program AE: 1s – 1/500s, Aperture Priority: Less than 1s – 1/200s, With Flash: 1/30s – 1/500s
Shooting Modes: Aperture Priority Program AE
Exposure Compensation: +/- 2 in 1/2 stops
Flash: Built-in
Build: Titanium
Average Price in 2023: $850

Find the Contax T2 at KEH Camera or on eBay.

2. Yashica T4

Most point and shoot film cameras are pretty similar. They’re small, plastic cameras with simple controls, just durable enough to be thrown in a bag, but nothing fancy.

So what sets some analog point and shoots apart from the rest? It’s the lens. It’s always the lens. You’ll notice the cameras on the list all have remarkable lenses.

The Yashica T4 (find on eBay) is no exception. It’s Zeiss Tessar T* 35mm f/3.5 is sharp and renders colors beautifully. It will give your images nice contrast with rich colors. The 3.5 aperture is a little slower than ideal, but it does retain it’s sharpness wide open.

Image: George Rex

Where the Contax T2 is more of a point and shoot that wants to be an SLR, the Yashica T4 is very much not. It is the point and shoot of point and shoots. It has a classic plastic body and almost no controls. Automatic exposure, half press the shutter to lock focus, toggle the flash on or off, and that’s about it.

Along with the quality lens, the Yashica T4’s flash it’s other main attraction. The T4 has been famously used by fashion photographers to create a punk aesthetic with the strong direct flash look.

Here’s a video with a good overview of the T4 with some great examples of the fashion aesthetic: Yashica T4 Review from New Nostalgia

This is another camera where its popularity has created a steep price tag. The Yashica T4 can be found for around $450 on eBay.

Lens: Zeiss Tessar T* 35mm f/3.5
Shutter Speeds: 1s – 1/700s
Shooting Modes: Program Automatic
Exposure Compensation: No
Flash: Built-in
Build: Plastic
Average Price in 2023: $450

Find the Yashica T4 at KEH Camera or on eBay.

3. Leica Minilux

Leica is famous for their rangefinder film cameras, but they also manufactured some great point and shoots, such as the Leica Minilux.

The Minilux is very similar to the Contax T2, all-metal body, exposure controls, and an incredibly sharp, high-quality lens. They also sell at a similar price point at around $800 on eBay.

Image credit: Dddeco

The lens is a 40mm f/2.4 with that gorgeous Leica glass. It has an auto mode, aperture priority mode, and exposure compensation at -/+ 2 at half stop intervals.

The biggest downside to the Minilux is its viewfinder. It’s known for having a very small, hard-to-use viewfinder that doesn’t give you exposure information on its display. This is improved in the Leica CM (find on eBay), but that camera comes in at about twice the price tag.

Lens: 40mm f/2.4
Shutter Speeds: B, 1s to 1/400s
Shooting Modes: Program, Aperture Priority
Exposure Compensation: +/- 2 in 1/2 stops
Flash: Built-in
Build: Titanium
Average Price in 2023: $800

Find the Leica Minilux at KEH Camera or on eBay.

4. Minolta TC-1

If you like a wider lens, the Minolta TC-1 (find on eBay) is a fantastic choice.

It has a sharp, contrasty, high-quality 28mm f/3.5 lens, giving you a wider view than most point and shoots. It also shoots in aperture priority with exposure compensation settings of +/- 4 stops.

For even more control over your exposure and settings, the TC-1 has an option to manually set the ISO. So if you love to shoot Portra 400 at ISO 200, you can override the automatic ISO and you’re good to go.

Image credit: Lordcolus

The TC-1 has spot metering, focus lock, and let’s you switch over to manual focus with zone focusing settings. So many settings packed into a point and shoot while still being easy to use and navigate.

The Minolta TC-1 is also ultra small and lightweight with a nice titanium body. A great high quality point and shoot!

Lens: 28mm f/3.5
Shutter Speeds: 4s – 1/750s
Shooting Modes: Aperture Priority
Exposure Compensation: +/- 4 in 1/2 stops
Flash: Built-in
Build: Titanium
Average Price in 2023: $750

Find the Minolta TC-1 at KEH Camera or on eBay.

5. Contax TVS

If you’re interested in the Contax T2 but want something more affordable, try the Contax TVS (find on eBay) series.

The TVS series is very similar to the T series, with the same sleek design, exposure compensation, and exposure lock feature, but with a zoom lens.

The lens won’t pack quite the same punch as the fixed-focus prime on the T2, but it’s still a high-quality, great lens for a point and shoot. And the zoom gives you some more versatility.

The Contax TVS can be found in good condition on eBay for around $400.

Check out this review for more about the Contax TVS.

Lens: Zoom 28–56mm f/3.5–f/6.5
Shutter Speeds: 16s – 1/700s
Shooting Modes: Program, Aperture Priority
Exposure Compensation: +/- 5 in 1/3 stops
Flash: Built-in
Build: Titanium
Average Price in 2023: $400

Find the Contax TVS at KEH Camera or on eBay.

6. Olympus Stylus Epic / Olympus Mju II

The Olympus Stylus Epic (find on eBay), also called the Olympus Mju II, is a fully automatic, beautifully compact point and shoot film camera.

There are two Olympus cameras on this list, and that is because of the Olympus lenses. While not quite the same magic as a Zeiss lens, the lens in the Olympus Stylus Epic really holds it’s own. It has a sharp and fast 35mm f/2.8 lens, even beating out the Yashica T4 for speed.

The Stylus Epic is fully automatic with auto exposure and focusing, but you can utilize its spot metering mode.

By pressing the self-timer and the flash-mode button at the same time, you’ll turn on the spot mode. Then, you can aim the camera where you’d like to take an exposure reading, press the shutter half-way, and it will lock in the exposure and focus. Then you can recompose and shoot. This mode does reset when you turn the camera off, so it’s a bit of a cumbersome feature, but it’s still nice to have.

The Olympus Stylue Epic is also weatherproof! For a plastic camera, it’s quite durable. If you’re looking for a point and shoot that can handle rain, snow, and other adventures, this might be a great fit.

You can also read our detailed review of the Olympus Stylus Epic / Mju II here.

The Olympus Stylus Epic / Olympus MJU II can be found for around $200 on eBay.

Lens: 35mm f/2.8
Shutter Speeds: 4s – 1000s
Shooting Modes: Program Automatic
Exposure Compensation: No
Flash: Built-in
Build: Plastic
Average Price in 2023: $200

Find the Olympus Stylus Epic at KEH Camera or on eBay.

7. Fuji Klasse

Another point and shoot with a high-end feel is the Fuji Klasse (also sold as the Rollei AFM35).

Made of aluminum-magnesium alloy, the build quality of the Fuji Klasse (find on eBay) doesn’t quite compare to the titanium of the Contax point and shoots, but is far better than the plastic found on most point and shoot cameras. It’s solid, lightweight, with a beautiful and streamlined look.

Image credit: Yu Wei Lin

It has a sharp Fujinon 38mm f/2.6 lens, and has both an auto mode and aperture priority mode. So if you want a little more control over your images and enjoy shooting at a lower aperture, this camera will be a great fit.

A fun fact about the Fuji Klasse is that it produces triangle shaped bokeh. Generally, bokeh will be in more of a circle or hexagon shape, but the aperture blades of the Klasse gives the bokeh a very cool and unique triangle shape.

For a wider lens, you can also try the Fuji Klasse W, and for more exposure control, try the Fuji Klasse S. But both of these variations are quite a bit more expensive than the original Klasse.

You can find the Fuji Klasse for around $400 to $500 on eBay.

Lens: 38mm f2.6
Shutter Speeds: B, 1/2s to 1/290s (at f2.6) to 1/1000s (for f16)
Shooting Modes: Program, Aperture Priority
Exposure Compensation: +2 Backlight Mode
Flash: Built-in
Build: Aluminum-Magnesium Alloy
Average Price in 2023: $500

Find the Fuji Klasse at KEH Camera or on eBay.

8. Nikon L35af

The Nikon One Touch L35af point and shoot film camera is another great option you can pick up for around $150 on eBay.

It has a sharp, fast 35mm f/2.8 Nikon lens with a great focusing system. The lens also has threads for filters. Such a rarity in a point and shoot!

With the exposure meter located right under the lens behind the filter, you can even use ND filters without having to worry about exposure compensation.

Image credit: Wutthichai Charoenburi

The Nikon L35af also has a few other cool features worth noting. It has a manual ISO setting (no DX code reader), so you’ll be able to manipulate your exposure a bit.

There is also a 2 stop exposure compensation for backlit images. This is a lever on the side of the lens, so you’ll need to hold the lever down while shooting. It doesn’t have incremental exposure compensation, just the +2 feature.

The camera is pretty bulky, though, and not the most pocketable. It has a square, functional, 80s style design to it. But if you don’t mind the size, it has a fantastic lens at a great price point and gives you a good amount of control over your images.

Lens: 35mm f/2.8
Shutter Speeds: 1/8s – 1/430s
Shooting Modes: Program Automatic
Exposure Compensation: +2 Backlight Mode
Flash: Built-in
Build: Plastic
Average Price in 2023: $150

Find the Nikon L35af at KEH Camera or on eBay.

9. Olympus XA2

The Olympus XA2 (find on eBay) is an interesting camera and the second Olympus point and shoot camera on this list. It is one of the smaller and more bare bones cameras out of the list talking about today.

One thing that makes it so small is that it does not have an integrated flash. It has a flash attachment that connects to the side of the camera. It’s an unique design that makes the camera quite small when the flash isn’t attached.

It also doesn’t have auto-focus. It utilizes zone focusing. There is a small toggle next to the lens where you select the focus distance of 1.5 meters, 3 meters, or infinity. While the lack of auto-focus might feel like a negative, it actually makes the camera incredibly quick to use.

Without a DX code reader, so you’ll need to manually set your ISO on the Olympus XA2. This is another less advanced feature that actually leads to more freedom and control while shooting. It’s a little exposure compensation hack.

The Olympus XA2 is small, unassuming, and super quick to shoot. This along with its great lens makes it a favorite for street photographers. It is ready to go the second you open it! You don’t need to wait for focus to lock or fiddle with settings. It is a true point and shoot that produces reliable, quality images.

The XA2 can be found at a great price point as well at under $100 on eBay, and you can read our full review of the Olympus XA2 here.

Lens: 35mm f/3.5
Shutter Speeds: 2s – 1/750s
Shooting Modes: Program Automatic
Exposure Compensation: No
Flash: Mount
Build: Plastic
Average Price in 2023: $100

Find the Olympus XA2 at KEH Camera or on eBay.

10. Canon Sure Shot A1 / Prisma AS-1

The Canon Sure Shot A1 (also known as the Prisma AS-1) is one of the most fun cameras on this list. It’s a waterproof point and shoot film camera that works up to 16.4 feet underwater. Perfect for a day at the beach or by the pool!

While it’s an underwater camera, the Sure Shot A1 (find on eBay) also great above water. It has a decent 32mm f/3.5 lens with ultra simple controls: an auto setting, a couple of flash settings, and an underwater macro setting. And since it’s waterproof, you never have to worry about taking it out in the rain.

Image credit: John Kratz

It’s rugged casing makes it durable and solid, but it is a little bit bulkier than your typical point and shoot.

A note about the Sure Shot WP-1: The Canon Sure Shot WP-1 looks identical to the A1. There is a little debate about if the WP-1 is waterproof or not, but its manual has it listed as water resistant, not waterproof. So if you’re planning to use this underwater, the A1 is a safer bet.

Lens: 32mm f/3.5
Shutter Speeds: 1/60 (2 sec. with flash mode off) – 1/250
Shooting Modes: Automatic
Exposure Compensation: No
Flash: Built-in
Build: Plastic
Average Price in 2023: $100

Find the Canon Sure Shot A1 at KEH Camera or on eBay.

11. Ricoh FF-1S

The Ricoh FF-1S is a straight-forward point and shoot with a great retro feel. Its retractable lens with a folding door gives it such a unique look from the rest of the cameras on this list.

This camera has a solid 35mm f/2.8 lens, but it is pretty low tech as far as settings go. Most notably, it utilizes zone-focusing instead of auto focus, which could take some getting used to if you’re not already comfortable with this type of manual focusing. You can set the ISO, but it does max out at ISO400.

You can find it for around $100 on eBay.

Lens: 35mm f/2.8
Shutter Speeds: 2s – 1/500s
Shooting Modes: Automatic
Exposure Compensation: No, but you can manually set the ISO
Flash: Hot-Shoe Mount
Build: Metal and plastic
Average Price in 2023: $100

Find the Ricoh FF-1S at KEH Camera or on eBay.

12. Nikon Lite Touch

Rounding out our list of the best point and shoot film cameras is the Nikon Lite Touch (also known as the Nikon AF600). This camera is a great option if you’re looking for a wider lens but want something more affordable than the Minolta TC-1.

It has a decent 28mm f/3.5 lens and can focus at just over a foot (14.7 inches). This combo makes for such a great shooting experience letting you get up close and personal with your subject.

Image credit: E Magnuson

Another unique feature of the Nikon Lite Touch is its panorama mode. Instead of shooting over multiple frames, though, it masks the top and bottom portion of the frame, capturing the image at 12.3x36mm.

One in good, working condition can be found for around $100 on eBay.

Lens: 28mm f/3.5
Shutter Speeds: 1/4s – 1/250s
Shooting Modes: Automatic
Exposure Compensation: No
Flash: Built-in
Build: Plastic
Average Price in 2023: $100

Find the Nikon Lite Touch at KEH Camera or on eBay.

Kathleen is the founder here at Shoot It With Film, and you can read more of her articles here, such as 5 Great 35mm Film Cameras for Beginners and 30 Film Photography Resources for Beginners. You can also check out her work on her website and Instagram.

Leave your questions below in the comments, and we’d also love to hear about your favorite point and shoot film cameras!

And if you want to learn more about shooting film, read all of our film photography tutorials here!

Best Point and Shoot Film Cameras

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If you’re looking for the best point and shoot film camera, you’ve probably already discovered that there are a lot of models to choose from.

The prices have really exploded for all types of old cameras, but 35mm film cameras, especially point and shoots, have seen the most significant price increases of all.

Don’t get discouraged, though! Whether you’re just looking for a cheap and easy option or you want the best advanced point and shoot camera that money can buy, you should have options.

We’ve gathered a list of the most popular models, as well as the most important specs you’ll need to compare them. Here’s what we’ve included:

Year: The year that the camera was first released

Weight: How much the camera weighs, in grams (454 grams = 1 pound)

Film Speeds: The range of film speeds accepted by the camera

Size: The dimensions of the camera in millimeters (Length x Height x Depth ) (25mm = 1 inch)

Lens: The focal length and available aperture of the lens

Flash: Does the camera have a built in flash or does it require a separate flash?

Battery: What type and how many batteries required for the camera to function

Shutter Speeds: The range of shutter speeds (although many are selected automatically by the camera)

Price: An estimate of the price of the camera in 2023. Prices are always fluctuating, but this is our best estimate after reviewing the price trends of each camera on eBay.

$ = $100 or Less

$$ = $100 – $250

$$$ = $250 – $500

$$$$ = $500 – $1000

For an even easier way to find the best film cameras, you can try our Film Camera Selector Quiz. It’s quick and free way to get a personalized recommendation of the best 35mm camera for you!

If you were looking for the best point and shoot camera but don’t want to shoot film, check out our guide to vintage point and shoot digital cameras.

Jump to: Canon | Contax | Fujifilm | Konica | Leica | Minolta | Nikon | Olympus | Ricoh | Rollei | Yashica

Canon AF35M

Year: 1979

Weight: 405g

Film Speeds: 25-400

Size: 132 x 77 x 54mm

Lens: 38mm f/2. 8

Flash: Built-In

Battery: 2 x AA

Shutter Speeds: 1/8 – 1/500


One of our favorite cheap point and shoot film cameras, the Canon AF35M may not have the cult status of some of the others on this list, but it’s still a solid little machine.

Our biggest complaint is the max film speed of 400 can be a bit restrictive in this day and age.

Plus, this Canon point and shoot is a lot louder than comparable models. Overall, the AF35M is perfectly capable of capturing good images, it’s just not the sleekest option.

Check Current Price of the Canon AF35M

More Resources: Canon AF35M Review on Mike Eckman’s site.

Canon MC

Year: 1984

Weight: 255g

Film Speeds: 64 – 1000

Size: 106 x 65 x 42mm

Lens: 35mm f/2.8

Flash: Separate

Battery: 2 x AA

Shutter Speeds: 1/8 – 1/500


Especially with the optional flash attached, the Canon MC serves some serious ’80’s nostalgia. Without the flash, the MC is an easy to use, small film camera that produces great photos.

Reliability can definitely be an issue nowadays, but that’s unfortunately the case with a lot of point-and-shoot cameras from the same era.

If you just want a cheap film camera that you can easily bring with you, the Canon MC might be just what you’re looking for.

Check Current Price of the Canon MC

More Resources: Canon MC Review on 35mmc.

Contax T2

Year: 1991

Weight: 295g

Film Speeds: 25-5000

Size: 119 x 66 x 33mm

Lens: 38mm f/2.8

Flash: Built-In

Battery: 1 x CR123

Shutter Speeds: 8s – 1/500


Easily the most beloved brand on this list, Contax point and shoot film cameras, especially the T series, were truly something special. While the T2 is cheaper than its older sibling, prices for any Contax T camera have absolutely sky rocketed.

One of the biggest factors in the popularity of Contax point and shoots is the use of Carl Zeiss T* lenses, considered the highest quality.

The T2 might be one of the best compact film cameras, but its popularity among celebrities has made it increasingly unattainable for the average photographer.

Check Current Price of the Contax T2

More Resources: Contax T2 Review on Mr. Leica. | Contax T2 Review on Dusty Grain.

Contax T3

Year: 2001

Weight: 230g

Film Speeds: 25-5000

Size: 105 x 63 x 305mm

Lens: 35mm f/2.8

Flash: Built-In

Battery: 1 x CR2

Shutter Speeds: 16s – 1/1200


The holiest of grails in the 35mm point and shoot world, many people even consider the Contax T3 to be one of the best 35mm film cameras ever made.

That said, we also had to make a separate ranking for the price of this camera, because it’s that much more expensive than the rest.

Both of the Contax T-series cameras are notable for how much control you have over different settings. Many other cameras on this list are auto-everything and you can’t fine tune the settings even if you wanted to.

There’s no denying that the Contax T3 is an incredible piece of gear, it’s just unfortunately been swallowed whole by the hype surrounding it.

Check Current Price of the Contax T3

More Resources: Contax T3 Review on Moment. | Contax T3 Review on 35mmc.

Contax TVS

Year: 1994

Weight: 400g

Film Speeds: 25-5000

Size: 124 x 67 x 41.5mm

Lens: 28 – 56mm f/3.5 – 6.5

Flash: Built-In

Battery: 1 x CR123

Shutter Speeds: 16s – 1/700


Often left out of the conversation of Contax point and shoots, the Contax TVS deserves a bit more attention.

The TVS is one of the few options on this list with a zoom lens, which can be a nice feature on a compact point and shoot. It doesn’t hurt when that zoom also happens to be a T* lens made by the legendary Carl Zeiss.

You might be wondering: is the Contax TVS as nice as the Contax T2? Definitely not. But the TVS also doesn’t cost a month’s rent and still produces perfectly good looking photos.

Check Current Price of the Contax TVS

More Resources: Contax TVS Review on Casual Photophile.

Fujifilm Klasse

Year: 2001

Weight: 250g

Film Speeds: 50 – 3200

Size: 123 x 63.5 x 37mm

Lens: 38mm f/2.6

Flash: Built-In

Battery: 1 x CR2

Shutter Speeds: 1/2 – 1/1000


Fujifilm’s entries into the point and shoot film camera market stick out like a sore thumb. For starters, their most popular models were released quite a bit past the peak popularity of point and shoot 35 mm cameras.

The Fujifilm Klasse, with its odd switch on the front of the camera and its f/2.6 aperture, is a unique model, but one that takes incredible photos.

There are a few different versions, equipped with different lenses, including a wider, 28mm f/2.8, called the Fujifilm Klasse W.

One of the reasons that you don’t see Fuji point and shoot film cameras mentioned as often is that there weren’t as many copies produced, so they are quite a bit less common than other brands.

Check Current Price of the Fujifilm Klasse

More Resources: Fujifilm Klasse Review on Casual Photophile.

Fujifilm Natura

Year: 2001

Weight: 195g

Film Speeds: 50 – 3200

Size: 109.5 x 58 x 37mm

Lens: 24mm f/1.9

Flash: Built-In

Battery: 1 x CR2

Shutter Speeds: 1s – 1/360


The Fujifilm Natura is one of the last released compact film cameras on this list, as seen in its Y2K-era aesthetics.

Similar to many 2000’s digital point and shoot cameras, the Natura is incredibly compact and would make a great travel camera.

The version pictured below has a 28mm – 56mm zoom lens, but the more popular version has a 24mm f/1.9. The image quality is better on the version with the 24mm lens, but some people might be more drawn to the convenience of a zoom lens.

Check Current Price of the Fujifilm Natura

More Resources: Fujifilm Natura Review on the Phoblographer.

Konica A4

Year: 1989

Weight: 193g

Film Speeds: 50 – 3200

Size: 117 x 63 x 36mm

Lens: 35mm f/3.5

Flash: Built-In

Battery: 1 x CR123

Shutter Speeds: 1/3 – 1/500


While the Konica A4 is not quite as popular as the Big Mini line that it inspired, it’s still a great choice for a 35mm point and shoot.

Most specs are the same as the Big Mini, with the biggest difference being the A4 has less range of shutter speeds. The maximum shutter speed of 1/500 should still be fast enough for most casual photographers, though.

A unique feature of the A4, as noted on the front of the camera, is the “close up” focus mode. This allows you to focus between 0.3 – 0.6 meters (11.8 – 23.6 inches), which is hard to find on a point and shoot camera.

Check Current Price of the Konica A4

More Resources: Konica A4 Review on Naked Exposure’s YouTube.

Konica Big Mini

Year: 1990

Weight: 188g

Film Speeds: 50 – 3200

Size: 115 x 63 x 34mm

Lens: 35mm f/3.5

Flash: Built-In

Battery: 1 x CR123

Shutter Speeds: 3.6s – 1/800


The Konica Big Mini has a simple design and an extremely lightweight body. That lack of weight makes this compact camera a little bit delicate, although it takes great images.

Just like the original Konica A4, the Big Mini allows “close up focus” and has auto-everything, making it a good 35mm camera for beginners.

Check Current Price of the Konica Big Mini

More Resources: Konica Big Mini Review on On Film Only.

Konica C35AF

Year: 1971

Weight: 380g

Film Speeds: 25 – 400

Size: 112 x 70 x 52mm

Lens: 38mm f/2.8

Flash: Separate

Battery: 2 x AA

Shutter Speeds: 1/30 – 1/650


The first ever point and shoot film camera to feature autofocus, the Konica C35AF was miles ahead of the pack. Still a great choice, the Konica C35 is one of the best point and shoots under $100.

Like most 35mm film cameras from the 1970’s, the C35AF only accepts film speeds up to 400 ISO. This might be a bit limiting if you like taking photos at night or indoors.

If you’re interested in shooting film but don’t want to break the bank, the Konica C35AF could be a good option. It might not be the best compact camera that exists, but it gets the job done. Plus, you can use all of the money you saved on more film!

Check Current Price of the Konica C35AF

More Resources: Konica C35AF Review on Aperture Preview.

Konica Hexar

Year: 1993

Weight: 495g

Film Speeds: 6 – 6400

Size: 137.5 x 76.5 x 64.5mm

Lens: 35mm f/2.0

Flash: Built-In

Battery: 1 x 2CR5

Shutter Speeds: 30s – 1/250


What happens when you combine a 35mm rangefinder with a 35mm point and shoot? The Konica Hexar is what happens. It’s the biggest, heaviest camera on this list, giving it a more substantial feeling than the rest.

Don’t get this model confused with the Konica Hexar RF, which is a manual focus rangefinder camera.

The Hexar has always maintained some level of cult-status and it’s one of the less common models that you’re likely to see. That said, those who get their hands on a Konica Hexar usually have plenty of praise for this 35mm point and shoot.

Check Current Price of the Konica Hexar

More Resources: Konica Hexar Review on Film Shooters Collective.

Leica Minilux

Year: 1995

Weight: 330g

Film Speeds: 25 – 5000

Size: 124 x 69 x 39mm

Lens: 40mm f/2.4

Flash: Built-In

Battery: 1 x 2C123

Shutter Speeds: 1s – 1/400


Dawning the famous red dot (with a price tag to match), the Leica Minilux is a high end point and shoot film camera.

The 40mm lens is one of the longest on this list, a great do-it-all focal length, that also produces super sharp images.

While anything produced by Leica is notoriously expensive, there’s no denying that the iconic company knows how to make great cameras.

Check Current Price of the Leica Minilux

More Resources: Leica Minilux Review on Ken Rockwell’s site.

Minolta TC-1

Year: 1996

Weight: 185g

Film Speeds: 6 – 6400

Size: 99 x 59 x 29.5mm

Lens: 28mm f/3.5

Flash: Built-In

Battery: 1 x 2C123

Shutter Speeds: 4s – 1/750


Unique in it’s futuristic-looking, pop-up lens design, the Minolta TC-1 is a beautiful point and shoot that creates images just as fantastic looking.

Beloved for its bokeh, you can’t go wrong with the TC-1. Be warned, though: you’ll get a lot of questions and comments if you start using this camera!

Check Current Price of the Minolta TC-1

Read More: Minolta TC-1 Review on 35mmc.

Nikon 28Ti

Year: 1994

Weight: 315g

Film Speeds: 25 – 5000

Size: 118 x 66 x 36mm

Lens: 28mm f/2.8

Flash: Built-In

Battery: 1 x 2C123

Shutter Speeds: 2s – 1/500


Nikon’s “Ti” line of point and shoot film cameras were phenomenal – everything, from the exterior styling to the incredibly accurate metering system, was ahead of its time.

The analog display on top of the camera catches our eye every time we see it. The 28Ti comes in black and has a 28mm focal length.

While the Ti line aren’t necessarily cheap cameras, we’d be much more likely to choose one of these Nikon point and shoots over something super trendy like the Contax T2.

Check Current Price of the Nikon 28Ti

More Resources: Nikon 28Ti Review on That Vintage Lens.

Nikon 35Ti

Year: 1993

Weight: 310g

Film Speeds: 25 – 5000

Size: 118 x 66 x 36mm

Lens: 35mm f/2.8

Flash: Built-In

Battery: 1 x 2C123

Shutter Speeds: 2s – 1/500


You could’ve probably guessed that the Nikon 35Ti has a focal length of 35mm – the other specs are more or less the same as the 28Ti. This one comes in a silver color with black accents.

Both 28mm and 35mm are great focal lengths, although we’d consider 35mm the most versatile choice. In this regard, the 35Ti might be one of the best compact cameras for travel.

Check Current Price of the Nikon 35Ti

More Resources: Nikon 35Ti Review on Ken Rockwell’s site.

Nikon L35AF

Year: 1983

Weight: 335g

Film Speeds: 50 – 1000*

Size: 125.5 x 73 x 53.5mm

Lens: 35mm f/2.8

Flash: Built-In

Battery: 2 x AA

Shutter Speeds: 1/8 – 1/430


*Early models only allowed film speed 50 – 400

The Nikon L35AF is one of the best point and shoot film cameras under $200. The 35mm f/2.8 lens on this model is well-known for producing great looking images.

A lot of 35mm point and shoot cameras feel somewhat delicate and dainty – not the case here. A true brick of a camera, the Nikon L35AF is surprisingly sturdy and durable.

We’ve had a few versions of this camera and used them for somewhere around 10 years – check out our review below if you want our detailed, long-term opinions.

Check Current Price of the Nikon L35AF

Read More: Our in-depth Nikon L35AF Review.

Olympus Trip 35

Year: 1967

Weight: 410g

Film Speeds: 25 – 400

Size: 116 x 70 x 57mm

Lens: 40mm f/2.8

Flash: Separate

Battery: None

Shutter Speeds: 1/40 or 1/200


The Olympus Trip 35 is a great option for a cheap point and shoot film camera. Released over five decades ago in 1967, it’s a simple option with manual focus, only two shutter speeds, and no batteries required to operate.

It’s worth noting that the “manual focus” system on the Trip 35 is much easier than you might expect. There are just four different focal lengths that you switch between, each marked with their distance range and an icon.

The Trip 35 is a truly compact camera. Combined with the basic, no-frills operation, this is an extremely simple, low-key setup for taking film photos.

Check Latest Price of the Olympus Trip 35

More Resources: Olympus Trip 35 Review on Kosmo Foto.

Olympus XA2

Year: 1980

Weight: 200g

Film Speeds: 25 – 800

Size: 102 x 65 x 40mm

Lens: 35mm f/3.5

Flash: Separate

Battery: 2 x SR44

Shutter Speeds: 2s – 1/750


Featuring a new 35mm f/3.5 lens and a three-zone, manual focus system, the Olympus XA2 built on the great reputation of its predecessor.

Incredibly compact, the second version of this Olympus point and shoot film camera is also a bit easier to use than the original XA.

Both the XA and the XA2 are a popular choice for photographers looking for a high-quality, but small film camera.

Check Latest Price of the Olympus XA2

More Resources: Olympus XA2 Review on Mike Eckman’s site.

Olympus Mju II (Stylus Epic)

Year: 1997

Weight: 135g

Film Speeds: 50 – 3200

Size: 108 x 59 x 35mm

Lens: 35mm f/2.8

Flash: Built-In

Battery: 1 x CR123

Shutter Speeds: 4s – 1/1000


The Olympus μ[mju:]-II, also known as the Olympus Stylus Epic, is one of the best 35mm point and shoot film cameras of all time.

Released to great acclaim in the late 90’s, this award winning camera sold exceptionally well, and as a result, there were plenty of used models available for cheap.

Well, the secret’s out, and the prices have continued to rise as they become harder and harder to track down.

Check out our full review below, where we cover our experiences with the Olympus Mju II and decide whether or not we’d still buy this 35mm camera in 2023.

Check Current Price of the Olympus Mju II (Stylus Epic)

Read More: Our in-depth Olympus Mju II Review.

Ricoh GR

Year: 1996

Weight: 175g

Film Speeds: 25 – 3200

Size: 117 x 61 x 26.5mm

Lens: 28mm f/2.8

Flash: Built-In

Battery: 1 x CR2

Shutter Speeds: 2s – 1/500


If you’re interested in street photography, the Ricoh GR is one of the best 35mm film cameras you can find.

There have been a handful of versions with minor changes, always maintaining the fantastic 28mm lens and a similar, comfortable size and shape.

Ricoh has continued producing the GR-line to this day, with the last few iterations being point and shoot digital cameras. The GR III Digital is one of the best compact cameras we’ve ever used, if you’re curious about stepping away from film.

Check Current Price of the Ricoh GR

More Resources: Ricoh GR Review on Kosmo Foto.

Ricoh R1

Year: 1994

Weight: 145g

Film Speeds: 50 – 3200

Size: 117 x 61 x 25mm

Lens: 24mm f/8 /30mm f/3.5

Flash: Built-In

Battery: 1 x CR2

Shutter Speeds: 2s – 1/500


While Ricoh is well known for their GR line of cameras (both film and digital), they produced some other interesting models that are worth checking out.

The Ricoh R1, for example, has a dual lens that gives you option to switch between a 30mm macro and a 24mm panorama.

With its compact, pocketable size, the R1 might be a good option that saves some money but is still as easy to carry around as one of the Ricoh GR cameras.

Check Current Price of the Ricoh R1

More Resources: Ricoh R1 Review on 50mm F2.

Rollei 35

Year: 1966

Weight: 370g

Film Speeds: 25-1600

Size: 97 x 60 x 32mm

Lens: 40mm f/3.5

Flash: Separate

Battery: 1 x PX625

Shutter Speeds: 1/2 – 1/500


The oldest camera on this list, the Rollei 35 is truly a small film camera – it’s hardly bigger than a deck of cards.

A beautiful, ’60’s design in a miniature package, this super compact camera always turns heads.

There are a few different versions, including an all black model. No matter which version you’re looking at, they are all pocket-sized and capable of creating beautiful photos.

Check Current Price of the Rollei 35 S

More Resources: Rollei 35S Review on Analog Cafe.

Yashica T2

Year: 1986

Weight: 300g

Film Speeds: 50 – 1600

Size: 132 x 73 x 48mm

Lens: 35mm f/3. 5

Flash: Built-In

Battery: 1 x 2CR5

Shutter Speeds: 1/8 – 1/500


The only Yashica T series camera that’s even remotely affordable anymore is the first iteration, the Yashica T2.

Nowhere near as beloved as later versions, the T2 still gives you many of the same features you’d expect from its older siblings.

The T2 is the heaviest model of the Yashica point and shoots, but most importantly, it still features the notorious Carl Zeiss T* lens.

Check Current Price of the Yashica T2

More Resources: Yashica T2 Review on Causal Photophile.

Yashica T3

Year: 1988

Weight: 275g

Film Speeds: 64 – 1600

Size: 128 x 57.5 x 52mm

Lens: 35mm f/2.8

Flash: Built-In

Battery: 1 x 2CR5

Shutter Speeds: 1s – 1/630


Slightly smaller, lighter, and with a wider shutter speed range, the Yashica T3 took everything good about its predecessor and made them even better.

The T3 is unique among the other versions for its 35mm f/2.8 lens. This, combined with the lower cost, would probably lead us to choose the T3 over the more popular Yashica T4.

Check Current Price of the Yashica T3

More Resources: Yashica T3 Review on Take a Photo.

Yashica T4

Year: 1990

Weight: 190g

Film Speeds: 50 – 3200

Size: 118 x 64.5 x 39.5mm

Lens: 35mm f/3.5

Flash: Built-In

Battery: 1 x 2CR123

Shutter Speeds: 1s – 1/700


Last but not least, the cream of the Yashica point and shoot crop, the cult-favorite Yashica T4.

As with the earlier models, you can expect to find the Carl Zeiss T* lens, with the T4 returning to a f/3.5 version.

One of the unique features of the Yashica T cameras is the “waist level viewfinder”, located on the top of the camera. This gives you the ability to see a (small) preview of your image even when you aren’t holding the camera up to your eye.

This feature alone makes the Yashica T4 one of the best film cameras for street photography.

Check Current Price of the Yashica T4

More Resources: Yashica T4 Review on Cultured Kiwi. | Yashica T4 Review on On Film Only.

Did we miss any of the best 35mm point and shoot film cameras? Let us know your favorites in the comments!

Understanding Aspect Ratios in Photography

Let’s take a closer look at aspect ratios in photography with professional photographer Nazim Mansurov and find out what everyone needs to know about it all.

Many modern smartphones have a native 4:3 aspect ratio in the resulting images. Image captured on iPhone X @ 4mm, ISO 40, 1/15, f/1.8

What is the aspect ratio?

In photography, aspect ratio is the ratio between the width and height of an image.

General aspect ratios in photography

Aspect ratio is often determined by the camera’s film/image sensor form factor, which is almost always rectangular. The most common aspect ratios of modern digital camera sensors are 3:2 and 4:3. All modern APS-C full-frame and SLR cameras have 3:2 aspect ratio sensors, while 4:3 is a popular choice among smartphones, Micro Four Thirds, and some medium format camera manufacturers.

Some cameras allow you to select different aspect ratios in the camera menu, providing cropping options different from the original image sensor.

When the aspect ratio is expressed as two numbers separated by a colon, the first number usually refers to the horizontal side of the image and the second number to the vertical side. For example, 3:2 indicates a horizontal image taken in landscape orientation. And 2:3 will be considered a vertical image obtained in portrait. When the aspect ratio is expressed in decimal numbers, such as 1.50 or 1. 50:1, it ignores the image orientation.

Why aspect ratio matters

Nikon CMOS sensors have a 3:2 aspect ratio

Understanding the basics of aspect ratio is very important because it affects the final image. This can be especially important during the physical capture of a photo. For example, if you’re shooting an image with a camera in its native 4:3 aspect ratio and you cram your subject or important scene elements into the edges of the frame, you won’t be able to crop the image at a wider aspect ratio. Look at the next image.

As you can see, the image was taken at 4:3 and the photographer was barely able to fit the building as well as the foreground structure into the frame. While it worked at the end of this particular shot, there’s simply no way to crop the image to match any other aspect ratios without clipping into a building or foreground element.

The same goes for choosing extremely wide aspect ratios when the camera crops the top and bottom of the frame, as in the photo below:

This image was taken in 16:9 format Cappadocia, Turkey. Shot with DJI Mavic Pro @ 10.26mm, ISO 100, 1/60, f/5.6

When Nazim was using the DJI Mavic Pro drone in Cappadocia, Turkey, he forgot he had set the camera to capture 16 aspect ratio images :9, so I got a bunch of wide images like the photo you see above. Unfortunately, since the top and bottom of the image were cropped (even when shooting in RAW), I had to crop the edges of the image a bit to get 3:2 or 4:3. Look at what changing these proportions will do to the image above.

The same image showing what happens during framing with 3:2 and 4:3 aspect ratios

As you can see 4:3 is definitely a bad choice as it cuts into foreground elements. Had the photographer captured this image in his native 4:3 aspect ratio to begin with, he might have avoided this problem.

That’s why it’s so important to pay attention to proportion when composing and framing your shots – always leave enough “breathing space” around your subject if your end goal is to have more framing options later.

Native aspect ratio versus in-camera selection

The aspect ratio is often determined by the camera’s native image sensor. However, some cameras allow photographers to choose different aspect ratios.

For example, Nikon Z7 allows you to choose between the following:

  • FX (36×24)
  • DX (24×16)
  • 5:4 (30×24)
  • 1 :1 (24×24)
  • 16:9 (36×20)

Note that the first two options are in 3:2 format (FX 36×24 and DX 24×16) as this is the native aspect ratio of the sensor on this camera (the second option is for cropping the center of the image to simulate Nikon APS-camera sensors c/dx). All other options, such as 5:4, 1:1, and 16:9, are not built-in, which means that selecting any of them will crop part of the image.

Hagia Sophia captured in original 3:2 camera aspect ratio NIKON Z 7 + NIKKOR Z 24-70mm f/4 S @ 70mm, ISO 64, 1/6, f/5.6

Although this reduces the image’s resolution and file size, it’s often not a good idea to switch to non-built-in aspect ratios. First of all, you throw away pixels that you can never get back. If you crop an image and decide to go back and change it to a different aspect ratio, you’ll either have to retake the shot or potentially lose resolution due to the extra crop. If you’re shooting in the original aspect ratio, you’ll be able to change it in post-processing with minimal loss of resolution.

Why would someone want to change the original aspect ratio? The first reason has to do with cropping – if you want to prevent accidental cropping of an object, then it can be useful to switch to the aspect ratio you will be using to display or print the image. The second reason has to do with the camera’s buffer and continuous shooting speed – some cameras may take longer to shoot due to holding smaller files in the buffer.

Total Solar Eclipse, 4:3 Fujifilm GFX 50S + GF23mmF4 R LM WR @ 23mm, ISO 100, 10 sec, f/11.0

If you want to maximize image resolution, always shoot in the original aspect ratio of the camera’s sensor. However, if you have special requirements (for example, your client asks you to produce images with a certain aspect ratio), then in-camera framing will be a safer option in terms of composition.

Most common aspect ratios

The following are the most common aspect ratios

  • 1:1 (1.00) – Some medium format film cameras offer a 1:1 aspect ratio. However, none of today’s digital cameras have square sensors, and only a few cameras offer 1:1 as an option on the menu. Instagram made 1:1 popular by initially applying it to every photo, but the platform has changed to accommodate different aspect ratios. 1:1 is relatively common for square images.
  • 5:4 (1.25). The 5:4 aspect ratio is quite common in large and medium format film cameras, as well as when printing 8″x10″ and 16″x20″ images.
  • 3:2 (1.50). Most DSLRs, mirrorless and compact cameras have 3:2 sensors, regardless of their size. The 3:2 aspect ratio was popularized by 35mm film and is the most common aspect ratio in photography today.
  • 4:3 (1.33) – Medium format, Micro Four Thirds, most smartphones and some point-and-shoot cameras have 4:3 sensors.
  • 16:9 (1.78) is the most common video format today. Not a common format in photography, but some cameras provide it as a framing option.
  • 3:1 (3.0) – typically used for panoramic shots.

Panorama of Dead Horse Point, Utah, approximate 3:1 aspect ratio Hasselblad X1D @ 45mm, ISO 100, 1/125, f/5.6

Can I use a higher ASA/ISO with film a point-and-shoot camera that says it only reaches 400?

Samuel Aguayo&nbsp

Samuel Aguayo
August 14, 2018

If I have a film camera (point and shoot) that only goes to the ASA 400, can I shoot on film with a higher ASA like Porta 800 or 1600? Am I trying to shoot at night? Basically I’m looking for dark tones with backlighting.

  • movie
  • out of
  • Fujifilm
  • Kodak
  • Yashica

6 votes

August 14, 2018

You should double check the specs on the point and shoot to see if 1) it has the technology to read the ISO from the canister barcode and 2) use that ISO even if it’s outside of the user’s settings.

But let’s assume that’s not possible and the highest you can set is 400, and let’s also assume you’re using 800 speed film. In this case, your camera will overexpose each frame by 1 stop. Color negative film does a pretty good job of overexposure – and honestly, I wouldn’t think twice about it.

You have the option of hand processing the film, a technique where you deliberately overexpose the film and then develop it. Professional labs will offer this, but it usually costs extra. This will hopefully salvage some highlights that might otherwise be really blown away by overexposure.

So, you can still shoot and get useful pins, and you have options to develop. The biggest downside to your predicament is that you can’t use a faster shutter speed or a wider aperture than the faster film actually gives – especially when shooting at night, when the difference between camera shake and a decent shot can only be one or two stops

4 votes

Michael C
August 15, 2018

It all depends on how and even , if , the camera calculates the exposure. The other answers are about cameras with built-in auto exposure control, so we’ll talk about more elementary cameras here.

The simplest film cameras do not have a light meter and have very little or no shutter time or aperture control. Many of the old instamatics were such cameras. They were designed to be used with 100 speed film in bright daylight and 400 speed film in slightly dim light, or with flash in even darker conditions such as indoors.

Some had a “sun/cloud” switch that moved a sliding aperture plate with two fixed holes, one for each position, allowing the difference of two or so to be exploited. Sometimes the “cloudy” aperture is also doubled as the “flash cube” aperture. This allowed the film to be used at the same speed (usually 100 or 200) in either bright sunlight or cloudier outdoor lighting, as well as boreholes and indoors or at night with flash.

Such apertures were typically around f/11 for “sunny” and around f/5.6-8 for “cloudy/flare”. Shutter times with in-lens leaf shutters were typically 1/100-1/60. So for 200 speed film, the f/11 “solar” aperture combined with a fixed shutter time of 1/60 was about 2/3 stops overexposed for solar 16 rules. 100 speed film would be 1/3 stop underexposed under the same conditions. Both are within the exposure latitude allowed by most color negative films.

There were even 120-film medium format cameras that had these elementary controls. One such camera was the AGFA Clack.

Specs listed for AGFA Clack were:

  • Lens:
  • single element meniscus

  • Aperture: F/8 – F/11
  • Focal length: 5 feet – infinity
  • DOF Scale: No
  • Closure manufacturer / Type: AGFA / Swivel
  • Shutter speed: B, 1/60
  • Film size: 120
  • Negative size: 6×9 cm

If you know the exposure value for a particular film in such a camera, you can manually calculate what exposure value will apply to any other film speeds in use. If you know the exact shutter time and aperture, so much the better! We can then use this calculated EV to determine what lighting conditions would be appropriate for what film speed in that camera.

4 votes

Jim McKenzie
August 14, 2018

You can, but you will overexpose the film if you don’t make some adjustments. Color negative film can be overexposed like this, but it’s better to shoot true ISO 400 color film instead. This will give you an effective ISO 800. (Type -2 if you want ISO 1600.)

  • If your camera has a manual exposure, you can set the exposure yourself. If you’re measuring with a camera, just close one stop or change your shutter speed to one speed setting (assuming they’re one stop apart, like most do) before taking your image. It will be inconvenient, but doable.
  • If your camera doesn’t allow either of these, I would recommend avoiding faster movies and just making movies it can handle.

    3 votes

    August 22, 2018

    Yes, , but just by pulling the film by the approximate whole stops of the higher ASA/ISO you gave the camera, it has (ISO at apertures 100,200,400, 800, 1600, 3800, etc. ). Remember that you will have to compensate for this when you are developing, or let the lab know how many stops you pulled per roll.

    Film tension occurs naturally when you shoot film at a higher ASA/ISO than the camera thinks. Each movie has a different pull or push, be sure to check the specs but you will get good pictures from the movie. Pulling and developing the film will increase the contrast.

    By the way, that’s how most photojournalists worked in those days when they didn’t have the best ASA/ISO standard for shooting what to shoot in available light conditions, rewind the camera, pull out a new roll and push or pull it out as needed, when finished rewinding the roll, remove it from the chamber and note the number of stops or presses on it.

    2 votes

    August 23, 2018

    If you want to use exactly these movies you like to “watch”, option is to use expired film. Film degrades over time, and after about ten years, ISO 800 film should behave like the ISO 400 your camera can handle. However, using expired film is unpredictable due to issues such as storage conditions, discoloration, and fogging. Some people deliberately use this unpredictability for artistic effect, including cross-processing like Hueco’s comments.

    If your reason for wanting to use these movies is to shoot in low light, you’re pretty much stuck with whatever the capabilities of your camera are. You can also get “new” (used) as rackandboneman also offers . Because people are moving to digital, some very good film cameras cost very little . (I got some “free” simply because they were attached to lenses I was interested in adapting.) Then, if you’re not particularly fond of your current camera, you can donate it to the Film Photography Project.

    Other answers discuss other issues:

    • Jim McKenzie discusses exposure compensation and manual exposure.
    • Michael Clark discusses cameras without automatic exposure control.
    • Hueco and abetancort discuss shooting film (shooting below ISO). The reverse would be film pushing (shooting above the ISO rating).
    • rackandboneman mentions some general camera limitations, manual metering, low light conditions and exposure latitude.

    2 votes

    August 23, 2018

    An automatic camera metering system that only takes film up to 400 ASA is unlikely to work at all in the lighting conditions you describe. Let’s assume that the camera, if it doesn’t give up direct shooting, will simply operate at the widest aperture and slowest shutter speed it can.

    If you can find out what those values ​​are, you can use guesswork or an external meter to match scenes to camera values.

    It is likely that the shutter speed used will be too slow for a portable device – use a tripod, gooseneck or other mounting accessory.

    The movies you mentioned are negative, they can withstand multiple exposure mismatches before they end up with an unusable image (that’s why cheap and tricky cameras worked so well in the movie age), and in many night scenes they don’t.