150 screen projector: Elite OMS150HT-ELECTRODUAL 150″ Projector Screen WraithVeil Dual

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Elite OMS150HT-ELECTRODUAL 150″ Projector Screen WraithVeil Dual

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Projector Screen Store is excited to offer FREE GROUND SHIPPING ON ALL ORDERS (Continental US only. PR, AK, HI and Military Boxes, please contact our sales specialists for freight quotes.) We will still offer other expedited shipping methods, such as 3-day, 2-day and overnight delivery for an additional charge. Truck shipments will be tailgate delivery; inside delivery and other special arrangements may incur additional charges.


If you ABSOLUTELY must have the item by a specified date, please call our sales specialist at 1-800-637-3181 to confirm your item will arrive on time. Regardless of the shipping method selected, each item has a lead time prior to shipment, which is generally stated on the product page.




Questions? Get in touch: 1-800-637-3181



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The Projector Screen Store is pleased to offer Custom Size projection screens that are built to order! For more information please contact us at 1-800-637-3181, Chat with us, or send us an email at [email protected]


 

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Item Number: Elite-OMS150HT-ELECTRODUAL

 


Leaves Warehouse within 4-6 Weeks



Availability: Leaves Warehouse within 4-6 Weeks
Usually ships In 4-6 Weeks, if ordered prior to 3pm EST.


If you must have the merchandise by a specified date, please call our sales representatives to confirm your item will arrive on time. Regardless of the shipping method selected, each item has a lead time prior to shipment


 

Screen Type:

Electric

Mount Type:

Outdoor, Wall and Ceiling

Format:

HDTV [16:9]

Brand:

Elite Screens

Viewable Diagonal in.:

150

Product Line:

Yard Master Electric Tension

Front/Rear Projection:

Both

Projection Surface:

WraithVeil Dual

Price: $2,999. 00





Quantity:

This item is nonreturnable

 



FREE GROUND SHIPPING

ON ALL ORDERS • CLICK TO LEARN MORE



We’re excited to offer FREE GROUND SHIPPING (Continental US only. PR, AK, HI and Military Boxes, please contact our sales specialists for freight quotes.) on every item in our network of websites. We will still offer other expedited shipping methods, such as 3-day, 2-day and overnight delivery for an additional charge. Truck shipments will be tailgate delivery; inside delivery and other special arrangements may incur additional charges.


If you ABSOLUTELY must have the item by a specified date, please call our sales representatives at 1-800-637-3181 to confirm your item will arrive on time. Regardless of the shipping method selected, each item has a lead time prior to shipment, which is generally stated on the product details page.


 

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STR-169150 Silver Ticket, 150″ 16:9 4K / 8K Fixed Frame Projector Scre – Silver Ticket Products

Description

Product is a 6 piece 150″ Diagonal 16:9 fixed frame screen and is made to mount on a wall.

The Silver Ticket Products 150″ 16:9 Fixed Frame projection screen offers powerful performance for the price.

Materials Available – Matte White, Grey, HC Grey, Silver, Woven Acoustic.  Please see other product pages for screen materials.  

This screen features real projection screen material, not a sheet. This material is a white stretchy, high-quality vinyl at 1.1 gain that is designed for watching movies. Wait until you see the colors! There is no resolution lost at any angle.

This screen truly assembles much faster than any other brand available! Forget about tucking the screen material into the frame – the Silver Ticket Tension Rod System saves you time and frustration. How does the material connect to the frame? Each side of the material has a pocket. A rod slides through the pocket to attach to the frame. This saves you time during assembly, but also removes any puckers or wrinkles in the viewing surface. The rod holds the material perfectly square all around the whole frame. This pocket and rod system remains hidden behind the frame so you only see the movie.

Forget about tricky installations – this fixed frame screen mounts on the wall much like a large picture frame. The sturdy aluminum frame is WRAPPED, not flocked, with a light absorbing black velvet fabric to absorb over-projected light so you don’t have to be a professional when aligning your projector.

While other brands use square tubing in their frames, this screen is built with durable extruded aluminum that contours down to the projected image so you won’t have any ugly shadow on the image area.

Join the thousands of satisfied customers — buy Silver Ticket 150 inch,16:9 today!

 

USEFUL LINKS: 

Visual Installation Guide

Instruction Manual (.PDF)
Product Warranty

Product Details
SKU STR-169150
Category Projection Screen
Size 150
Style Matte White
Format 16:9 Format
Type Fixed Screen
Technical Specifications
Viewing Diagonal 150″
Viewing Width 130. 75″
Viewing Height 73.5″
Format 16:9
Total Width 135.5″
Total Height 78.25″
Frame Width 2.375″
Frame Depth 1.25″
On-Axis Gain 1.1
Half Gain Off-Center Viewing Angle 80°
Half Gain Cone Viewing Angle 160°
Black-Backed Material Yes
Active 3D Compatible Yes
Passive 3D Compatible No
Recommended For 4K Yes
Flame Resistant Yes
Mildew Resistant Yes
Mild Detergent Washable Yes
Product Weight 41 lbs
Shipping Weight 45 lbs
Shipping Length 84″
Shipping Width 9″
Shipping Height 7″

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Whether an ALR screen is needed in a home theater system based on a UST projector. Review and test / Habr

It is in this photo that the contrast is brought down and the black color on the screen with the light on in reality, of course, is not so black.

This article will be quite short, without technical calculations, only photos and personal opinion of the author. In short, you need a screen, moreover, in a dark room with the lights turned off, unless your walls, floor and ceiling are lined with black velvet.

Two months ago, having bought a short-throw projector, I was absolutely sure that I did not need an ALR screen and the picture on a light gray wall looks great even without it. In addition, this type of screen, although Chinese, is relatively expensive (I took my 100 “for 43tr). I did not have the goal of watching a movie with the lights on, and these screens are presented precisely as a way to quite comfortably watch content on a projector with external illumination But at some point, as it happens, when you think and read a lot about something, I bought a screen, deciding that it wouldn’t get worse, but I really want to try it. 0005

Cinema hall

Some information about the “cinema hall”. Room 19 sq.m. The transverse size of the room is 3.23, of which 2.20m is occupied by the bed, about a meter remains for the cabinet with the projector and the passage. In conditions of such geometry, it is impossible to get an image of 110 “and more inches diagonally, or you will have to jump over the projector. In addition, the canvas itself is about 3.5 cm away from the wall. In general, I chose the Mivision 100” 4K Hard Frame screen. But, as far as I understand and heard it from several sources, the canvases are made by one manufacturer in China and they are all more or less the same.

The walls, except for the projection room, and the ceiling are dark gray, on the floor the usual laminate is not light, but not very dark either. That is, the room is prepared by 60%, because, although gray, the walls and ceiling glare decently, especially the ceiling.

A bit of screen physics

The screen surface consists of transverse horizontal embossed stripes, which look like triangles in the cut, the upper side is black and the lower one is white. In the photo, the color of the screen when looking at it from above and below.

Left – top view of the screen, right – bottom view

In general, I think the physics of light is clear here. It should be noted that due to such a relief triangular structure, the screen not only blocks light well from above and a little less from the sides, but also casts less light in the same directions, which ultimately illuminates the room less. Below is an example of ceiling illumination without a screen and with it.

Top photo without screen, below with screen. In the lower photo, I didn’t wipe the camera lens and it glares a little.

I think in terms of reducing the illumination of the room, and especially the ceiling, the question is closed. The obvious advantage of the screen.

Black color

If we ignore the optical properties of the screen and ambient light, and talk only about black, then due to the fact that the screen itself is rather dark, then by default your black color will be somewhat deeper, which is especially noticeable when viewing with moderate light on. But, the reverse side of the issue is that the white light will be less bright on such a screen than, for example, on a simple white screen. But, in the end, the overall increase in the difference between the dark and light areas of the image will give a significantly deeper and more contrast picture.

Viewing with ambient light

With a small light turned on in the room (in the photo there are 2 LED lamps of 8 W on the ceiling) The difference between the wall and the screen is striking and definitely inclines in favor of the screen. I note that the camera algorithms increase the contrast and in reality the picture is somewhat different, but in general it gives an idea of ​​the difference. And another point, the darker the scene, the more you can see the advantage of the ALR screen.

Light on. The left side of the photo is a light gray wall, the right side is an ALR screen. The light is on. On the left is the wall, on the right is the screen.

Although the image on the screen looks acceptable in the photo, you should not count on a serious movie viewing. Such a scenario is more suitable for watching something in the background or light serials.

Viewing in the dark

And now we come to the most important thing – how the screen works in complete darkness. Once again, I note that ALR screens are needed only in order to block the light falling on the screen from above and from the sides (less) light. In complete darkness, the screen itself becomes a rather strong source of light, which is reflected from all surfaces in the room, falls back onto the screen and kills blacks and contrast in the frame. It follows that the more light objects in the frame, the stronger the re-reflected light will be and the more the contrast will sag.

Therefore, the advantage of the screen will be more visible, the more bright areas in the frame. This is clearly seen in the next photo with the stars, there is practically no screen glow and the difference with the wall, although there is, is not so striking. I recommend using RMB to open the picture in a new tab to watch it on a dark background.

On the left is a wall, on the right is a screen

Now let’s look at a very revealing photo, when we have about half of the screen shining and the other half black. Notice the contrast of the droplets on the black background and the overall black level. Again – look in a separate tab on a dark background.

And one more illustrative scenario, when we have a lot of white – black font on a white background:

Left – wall, right – screen

Results, pluses, minuses

What’s left? I am certainly glad that I installed the screen, I got exactly what I wanted – increasing the level of contrast without additional decoration of the room, reducing the illumination of the room and blocking, although not completely, this illumination. Is the difference critical when viewing in the dark with or without a screen? No, it is not critical, and, perhaps, someone will say – and so it’s normal. But the screen takes you a couple of steps closer to the “like on TV” picture. For me, the difference is more than obvious, and everything that goes along with installing the screen is worth it.